On Chris de Burgh's debut album, his gentle, beguiling vocal style is introduced, which instantly trademarks him as a genuine master of the soft ballad. de Burgh's engaging dominance of words and lyrics carries both his love songs and his simple light rock tunes to a higher level, thanks to the attention and care given to each of his pieces. As an inaugural album, the songs hold well as they are delicately cushioned by his voice, but are substantially thin where melody or appealing choruses are concerned. Both "Windy Night" and "Watching the World" draw the most attention, bringing de Burgh's silkiness to the focal point. "Satin Green Shutters" beautifully illustrates his knack for sounding sincere and charismatic within the boundaries of a love song…
Solar Nights is the long-awaited second album from German nu-disco star Tim Bernhardt, aka Satin Jackets. Released on Eskimo Recordings Solar Nights follows on from Bernhardt's critically acclaimed, and Gold certified, debut Panorama Pacifico and features 14 tracks of smooth disco and leftfield pop sounds with guest appearances from the likes of Future Classic's Panama, David Harks, Niya Wells, Emma Brammer, and Anduze. The global success of Panorama Pacifico has seen Bernhardt coaxed out from his remote studio in one of Germany's ancient forests to play to fans across the world, from South Korea to Mexico and beyond, experiences that inspired both the album itself and its title, Solar Nights.
"In recent years the world's become smaller, a more inter-connected place…
'Reunion' is the third album from nu-disco star Tim Bernhardt, aka Satin Jackets. Released on Eskimo Recordings 'Reunion' is a stunning follow up to the German producer's first two critically acclaimed albums and features 14 stunning tracks of sun kissed disco, Balearic house, leftfield pop and guest vocals from the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up and coming British singer Tailor.
With Bernhardt’s 2nd album, 'Solar Nights', one of the most successful nu-disco records of recent times the following years should have made the Satin Jackets name a regular fixture on club and festival bills worldwide…
On Chris de Burgh's debut album, his gentle, beguiling vocal style is introduced, which instantly trademarks him as a genuine master of the soft ballad. de Burgh's engaging dominance of words and lyrics carries both his love songs and his simple light rock tunes to a higher level, thanks to the attention and care given to each of his pieces. As an inaugural album, the songs hold well as they are delicately cushioned by his voice, but are substantially thin where melody or appealing choruses are concerned. Both "Windy Night" and "Watching the World" draw the most attention, bringing de Burgh's silkiness to the focal point.
The recordings in the present set are typically fluent, compelling De Franco music in a first-class small combo setting. Individually De Franco and Harry Sweets Edison blow with the confidence and assertiveness that have become their hallmarks. Kessel takes care of business, lying quietly in the background until it comes his turn to solo, then leaping out to have his say. Jimmy Rowles, Herbie Mann, Bob Hardaway, and the rest of the men playing here are deeply swinging in healthly, mainstream fashion. One of the attractions is the delicacy of some of the ensemble textures and the way in which basic harmonies have been amended to fit the character of these 1959 De Franco Septette. Theres a lot of great listening here whatever your bias.