Soundtrack Coffee

Filmtrax will release a soundtrack album for the film adaptation of Anna Todd’s best-selling novel After. The album features the film’s original music composed by Justin Caine Burnett (Dungeons & Dragons, Getaway). After is directed by Jenny Gage and stars Josephine Langford, Hero Fiennes Tiffin, Selma Blair, Inanna Sarkis, Shane Paul McGhie, Pia Mia, Khadijha Red Thunder, Dylan Arnold, Samuel Larsen and Jennifer Beals. The romantic drama follows a young woman armed with grand ambitions for her future, who meets a dark and mysterious man who makes her question all she thought she knew about herself and what she wants out of life. The movie was released in theaters this past April by Aviron Pictures and is now available on VOD, Blu-ray and DVD.

"Funny Lady" is a soundtrack album by American vocalist Barbra Streisand. It was released by Arista Records on March 15, 1975 to promote the 1975 American musical comedy-drama film "Funny Lady". Executively produced by Peter Matz, the fifteen tracks on the album were performed by Streisand, James Caan, and Ben Vereen. A soundtrack sequel to 1968's "Funny Girl", "Funny Lady" is a collection of songs from the point of view of American performer Fanny Brice. "How Lucky Can You Get", the album's only single released in April 1975, promoted the record and was written by Fred Ebb and John Kander, who also co-wrote the majority of the songs on "Funny Lady".

Deadpool 2: Original Motion Picture Soundtrack is the compilation of music featured in the Twentieth Century Fox Film Deadpool 2. This 12 track collection features many recognizable hit songs featured in the film, and original songs "Ashes" by Céline Dion and "Welcome To The Party" by Diplo, French Montana, Lil Pump and Zhavia Ward. The new Céline Dion track "Ashes" is also accompanied by an official video, helmed by the film's director David Leitch.

Using piano, strings, a wind ensemble, and light percussion, Brion’s score subtly and deftly mirrors the existential ambling of Greta Gerwig’s outstanding coming-of-age film.

Relapse Records will release soundtrack album for Joe Lynch’s action thriller Mayhem. The album features the film’s original music composed by Steve Moore (The Guest, Camera Obscura, Cub, Don’t Knock Twice). The soundtrack will be released digitally on November 24, 2017 and is now available for pre-order on Amazon. The first track is already available to download. Mayhem starring Steven Yeun, Samara Weaving, Dallas Mark Roberts, Caroline Chikezie, Mark Stewart Frost and Kerry Fox revolves around an airborne virus infecting the corporate tower of a major law firm on the day an attorney is wrongfully fired. The thriller premiered at this year’s SXSW Film Festival and will be released this fall by RLJ Entertainment.

This is the soundtrack to a contemporary dance theatre production called Belle et Fou. Released by Sonar Kollectiv on 12 February, 2007, it features some of the label's most prized artists, including Jazzanova (who helped put this soundtrack together), Clara Hill, Wahoo, Forss, and many others, a nice blend of funky jazz with electronic wizardry.

If the recognition of one's peers is the true measure of success, then few men are as successful as composer, arranger, and conductor Henry Mancini. In a career that spanned 40 years, writing for film and television, Mancini won four Oscars and twenty Grammys, the all-time record for a pop artist. For 1961's Breakfast at Tiffany's alone, Mancini won five Grammys and two Oscars. Breakfast at Tiffany's includes the classic "Moon River" (lyrics by Johnny Mercer), arguably one of the finest pop songs of the last 50 years. At last count, there were over 1,000 recordings of it. His other notable songs include "Dear Heart," "Days of Wine and Roses" (one Oscar, two Grammys), and "Charade," the last two with lyrics by Mercer. He also had a number one record and won a Grammy for Nino Rota's "Love Theme From Romeo and Juliet." Among his other notable film scores are The Pink Panther (three Grammys), Hatari! (one Grammy), Victor/Victoria (an Oscar), Two for the Road, Wait Until Dark, and 10. His television themes include "Peter Gunn" (two Grammys, recorded by many rock artists), "Mr. Lucky" (two Grammys), "Newhart," "Remington Steele," and The Thorn Birds television mini-series. As a child, Mancini learned how to play a variety of musical instruments and as a teenager, he became enamored with jazz and big bands. He began to write arrangements and sent a few to Benny Goodman, who wrote the teenager back, encouraging him to pursue a career in music.

A STYLISH 8CD BOXSET, FEATURING 14 GROUNDBREAKING CRIME JAZZ SCORES, FROM THE ICONIC 50 S & 60 S AMERICAN DETECTIVE SERIES. REMASTERED & COLLECTED HERE FOR THE FIRST TIME IN THEIR ENTIRITY. WITH SOME SCORES ON CD FOR THE FIRST TIME EVER! RELEASED IN A LUXURY CLAMSHELL, 8CD CARD WALLETS & A STUNNING 80 PAGE PERFECT BOUND COLOUR BOOKLET Crime jazz captured the mood not only of our post-war cities, but of a character as distinctly American as the cowboy that soulful, solitary seeker of justice, the private eye. This Unique and rare collection showcases some of the finest music and memorable U.S TV shows of a generation… The 1950 s a new style of musical score was introduced to film soundtracks & T.V… Previously, film music meant sweeping orchestral themes or traditional Broadway-style musicals. With the growing popularity of bebop and hard bop as the sound of urban cool, studios began latching onto the now beat as a way to make their movies seem gritty.

A STYLISH 8CD BOXSET, FEATURING 14 GROUNDBREAKING CRIME JAZZ SCORES, FROM THE ICONIC 50 S & 60 S AMERICAN DETECTIVE SERIES. REMASTERED & COLLECTED HERE FOR THE FIRST TIME IN THEIR ENTIRITY. WITH SOME SCORES ON CD FOR THE FIRST TIME EVER! RELEASED IN A LUXURY CLAMSHELL, 8CD CARD WALLETS & A STUNNING 80 PAGE PERFECT BOUND COLOUR BOOKLET Crime jazz captured the mood not only of our post-war cities, but of a character as distinctly American as the cowboy that soulful, solitary seeker of justice, the private eye. This Unique and rare collection showcases some of the finest music and memorable U.S TV shows of a generation… The 1950 s a new style of musical score was introduced to film soundtracks & T.V… Previously, film music meant sweeping orchestral themes or traditional Broadway-style musicals. With the growing popularity of bebop and hard bop as the sound of urban cool, studios began latching onto the now beat as a way to make their movies seem gritty.