South Shore Commission

South Shore Commission’s claim to fame are the disco classics “Free Man,” “We’re on the Right Track,” and “Train Called Freedom.” All three were mid-’70s hits produced by Philly soul songwriter/singerBunny Sigler and included on South Shore Commission, an album released by Wand/Scepter in December 1975. The LP was mixed by Tom Moulton, the club DJ who did numerous remixes for Salsoul Records (Sigler’s “Let Me Party With You,” Instant Funk’s “No Stoppin That Rockin,” Loleatta Holloway’s “Love Sensation,” Eddie Holman’s “This Will Be a Night to Remember”).

Alright!: Black American Dance Music from the Disco Era Review by Amy Hanson
Most people shunt disco into a category either well-stuffed with white suits, mirror balls and Tony Manero wannabes from the movement's American heyday, or packed with the Euro stylings of Giorgio Moroder and synthesized grooves. As a result, the era has been distilled into a standardized set list of mixes, club staples and ho-hum rip offs. However, what disco actually set out to be, and its shape and nature before it was corrupted by the mainstream dreamers, proves a fascinating, stunning and forgotten history. Alright! Black American Dance Music from the Disco Era is the history by which our modern text is written. In the very beginning, disco wasn't about the flashing lights and hip tripping clothes at all, it was solely about capturing the best groove, hitting the vibe and letting it all spool out from that one perfect beat. People crowded onto club floors to dance, to move with songs that were politicized rather than plastic, songs that made and were made famous by the early labels Westbound and Century.