Spider And Fly

Though she was the epitome of the vocal cool movement of the 1950s, June Christy was a warm, chipper vocalist able to stretch out her impressive voice on bouncy swing tunes and set herself apart from other vocalists with her deceptively simple enunciation. From her time in Stan Kenton's Orchestra, she inherited a focus on brassy swing from arranger friends like Pete Rugolo. Rugolo would become a consistent companion far into her solo days, too, arranging most of her LPs and balancing her gymnastic vocal abilities with a series of attentive charts.

'Skirting The River Road' is the second ECM recording by Scottish singer/songwriter Robin Williamson. It follows his critically praised solo album 'The Seed-At-Zero', which set texts by Dylan Thomas. The new album finds a thread of continuity that links three visionary poets - Walt Whitman, William Blake, and Henry Vaughan - and places their work in an improvisational context. There are also new songs by Williamson himself and a radical remake of an early classic, "Here To Burn". Williamson is usually considered a "folk" musician - his roots are certainly in the world's folk traditions - but he has also always been an experimentalist. The Incredible String Band (which he co-founded) was an autonomous, homemade 'avant-garde' unit in the 1960s, outside all the idioms but instinctively reaching for new forms, with Williamson's soaring voice leading the way.

Optimization from Human Genes to Cutting Edge Technologies The challenges faced by industry today are so complex that they can only be solved through the help and participation of optimization ex­ perts. For example, many industries in e-commerce, finance, medicine, and engineering, face several computational challenges due to the mas­ sive data sets that arise in their applications.

Fans of singer, songwriter, and Brit-folk chanteuse Bridget St. John will no doubt be delighted by this double-disc, 41-cut selection of her BBC recordings with John Peel and other DJs from the late '60s through the mid-'70s. Peel was hosting Top Gear at this time, and took over the network’s Night Ride program from producer John Muir in 1968. St. John appeared on Night Ride first and that initial off-air rehearsal performance is here, near the end of disc two at her insistence, though its audio quality is not as high as most on this handsome package.

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Out of Our Heads is the third British and fourth American studio album by the English rock band the Rolling Stones. Although they share the same title, the two have significant differences in the track listings. In the US, London Records released it on July 30, 1965 and it became the group's first number one on the Billboard 200 album chart. Decca Records released it in the UK on September 24, 1965, where it reached number two.