Spoof

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In this spoof of great moments in history from the dawn of humanity through the French Revolution, director Mel Brooks delivers a twisted history lesson through his signature satirical, madcap… In this spoof of great moments in history from the dawn of humanity through the French Revolution, director Mel Brooks delivers a twisted history lesson through his signature satirical, madcap humor. Funny, vulgar, and narrated by the great Orson Welles, HISTORY OF THE WORLD - PART I tells the progress of humankind as cave dweller, tap-dancing slave, and biblical hero. The most famous bit in the film features Moses coming down from Mount Sinai. Other highlights include a hilarious “Hitler on Ice” sequence and other outrageous comic situations, unbelievably silly jokes, and inspired casting (Sid Caesar, Gregory Hines, and Madeline Kahn included), with the film itself mimicking several historical Hollywood epics, most notably THE GREATEST STORY EVER TOLD and THE TEN COMMANDMENTS, as well as a brilliant parody of 2001: A SPACE ODYSSEY.

Japan has a long history of heroic fictional characters who subdue bad guys by hurling objects at them, such as Zenigata Heiji: the cop who catches criminals by throwing coins and Ultra 7: the henshin hero who temporarily detaches his “Eye Slugger” to hurl at evildoers. To pay homage to that idea, as well as to spoof Japanese detective shows, director Minoru Kawasaki set out to create his own take on the genre. Of course, being the guy that brought us movies like Executive Koala and “Crab Goalkeeper”, plenty of absurdity was in order—but for the first time in his career, he didn’t resort to putting an animal in a typically human a situation.

Humour and black metal sit uneasily together. Or, to clarify, they sit together uneasily for black metal fans. If you don’t like black metal, they sit together very well indeed. Those benighted ones excluded, though, I can almost feel the snorts of derision emanating from Metal Reviews visitors worldwide breezing angrily across the oceans. That title… Aren’t there enough unselfconscious goofballs in black metal already that we need self-conscious ones? Scanning the song names: Mind Da Gap, Working Poor, Yuppie Yeah!, Dance N’ Society? Why spoof a genre that has so comprehensively self-spoofed on more than one unfortunate occasion?