Spooky Tooth Pierre Henry

It's fair to say that Ceremony: An Electric Mass is unlike any other release by an English band normally rooted in the blues. Think of it as Spooky Tooth's version of Concerto for Group and Orchestra by Deep Purple, in which, after two or three promising blues-based rock releases, one member of the band somehow convinces the others to go for a wildly ambitious, experimental concept album. Jon Lord persuaded Deep Purple to dive into the deep end, and Gary Wright convinced Spooky Tooth to welcome acclaimed French composer and musique concrète pioneer Pierre Henry for this electronic mass. Henry's atonal arrangements don't fare too badly against Spooky Tooth's piercing guitars and bluesy wail, although Wright left the band after Ceremony (just as Lord never had the same influence on Purple again, leaving Ritchie Blackmore to lead them on to heavy metal glory).

The Last Puff is a rock album by the British band Spooky Tooth. For the only time in its history, the band was billed as "Spooky Tooth Featuring Mike Harrison". The band broke up shortly after the album's release, reforming two years later. "Something to Say" was written by Joe Cocker and appeared on his 1972 album Joe Cocker.

Perhaps "The Last Gasp" would have been a more apt title here. Spooky Tooth appeared to be on its last legs, and being propped up by members of the Grease Band, this record should have been merely one of those contract fulfillments, but it isn't. It's a good, solid effort that includes a burning cover of the Beatles' "I Am the Walrus." Unfortunately, Spooky Tooth didn't stay together to reap the rewards of this new combination of musicians.

The Last Puff is a rock album by the British band Spooky Tooth. For the only time in its history, the band was billed as "Spooky Tooth Featuring Mike Harrison". The band broke up shortly after the album's release, reforming two years later. "Something to Say" was written by Joe Cocker and appeared on his 1972 album Joe Cocker.

When Belgian-Portuguese duo Jess & James (Tony Lam and Wando Lam) released their third LP in 1969, they already had an impressive body of work under their belt. Playing a highly energized blend of pop and soul, they achieved great success in Europe with singles like "Move" and "Something for nothing"…

A year on from one of the most satisfying hard rock debuts of the age, 1972's Bulletproof, Hard Stuff were hard-pressed to make such a brazen impression on their second LP, and that despite having spent the intervening time pushing themselves to the very brink of a breakthrough. Funkier than its predecessor, and more experimental too, the uncompromisingly named Bolex Dementia substituted much of its predecessor's raw power with proggier tones – John Du Cann himself compared the title track to Spooky Tooth's equally vague meanderings with Pierre Henry. And as if that were not difficult enough, the album was decked in what remains an astonishingly ugly cover, and promoted with a truly tasteless ad campaign.