Spunky

For the best introduction to the music of Una Mae Carlisle, consult her 1938-1941 recordings (Classics 1209). Thrust into the limelight by her friend Fats Waller, Carlisle established herself as an able pianist, vocalist and leader of small swing bands, relinquishing her place at the piano in 1941 and '42 in order to concentrate on presenting herself as a singer. Backed by pianist Billy Kyle and the John Kirby Sextet, she delivered quite a number of sentimental songs and a handful of upbeat novelties. It's important to bear in mind the fact that during this time she was grappling with the debilitating effects of mastoiditis, a painful malady brought on by an infection of the inner ear…

The release of this album marks a poignant moment: the tenth anniversary of the tragic and premature death of Esbjorn Svensson on 14 June 2008. It was recorded at a completely sold-out Barbican Centre in 2005, during a hugely successful and highly popular UK tour. It is e.s.t. at the peak of their creativity touring after the release of their to-date best selling album “Viaticum”.

The House of David was David "Fathead" Newman's comeback album of sorts, marking his first release after the end of his association with Ray Charles and a few years spent with his family in his hometown of Dallas. Organist Kossie Gardner, guitarist Ted Dunbar, and drummer Milt Turner support Newman's gritty "Texas tenor" sound, which captures the straightforwardness of R&B pop and the improvisational elements of jazz. Newman plays the flute on the spunky "Miss Minnie," but one of the most interesting songs on the album is the untypical rendition of a Bob Dylan tune, "Just Like a Woman." the artist's warm tenor lifts this song to angelic heights, and it's fathomed that he had only heard the song a few times before laying down this recording…