Stack Waddy

John Peel favourites and Dandelion Records proto-metallers Stack Waddy burned brightly and briefly during a recording career that barely lasted two years in the early 1970s. Leaving behind two albums of pounding, blues and psych infused heavy rock, some BBC appearances and a handful of outtakes, the Manchester four-piece imprinted themselves firmly enough on the memories of anybody who saw them to remain cult favourites today. Drawn together here are all of Stack Waddy’s Dandelion Records recordings - the ‘Stack Waddy’ and ‘Bugger Off!’ albums alongside a John Peel compered BBC In Concert performance and the aforementioned outtakes. Raw, bloody and never far from a beer or two, the band tear through Bo Diddley, Chuck Berry, The Kinks, Zappa, Beefheart and even Sinatra, as well as their own excellent material.

THIS MONTH’S COVERMOUNT CD is Heavy Nuggets Vol. 6, the latest instalment in MOJO’s acclaimed series of psych, hard and head rock bangers. Starring: Blossom Toes, Groundhogs, The Deviants, Humble Pie, Hawkwind, Twink, Mighty Baby and more!

Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.

Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.

Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.

“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.