Stanley Kubrick

Narrated by Tom Cruise, "Stanley Kubrick: A Life in Pictures" goes through each one of his movies and talks to various participants about their memories of working with Kubrick. For those who know very little about Kubrick, the documentary is an excellent career overview. Kubrick film clips include "Fear and Desire," "Killer's Kiss," "The Killing," "Paths of Glory," "Spartacus," "Lolita," "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb," "2001: A Space Odyssey," "A Clockwork Orange," "Barry Lyndon," "The Shining," "Full Metal Jacket" and "Eyes Wide Shut." Those appearing include: Arthur C. Clarke, Keir Dullea, Shelley Duvall, James B. Harris, Richard Schickel, Michael Herr, Nicole Kidman, Anya Kubrick, Christiane Kubrick, Gert Kubrick, Katharina Kubrick, Paul Mazursky, Jack Nicholson, Malcolm McDowell, Steven Spielberg, Martin Scorsese, Woody Allen, Douglas Trumbull, Marie Windsor, Matthew Modine, Sydney Pollack and Peter Ustinov.

Stanley Kubrick's demanding perfectionism in all aspects of the filmmaking process has led to some of the most memorable soundtracks of the modern era. Kubrick's taste for the classics led to his scrapping Alex North's original score for 2001: A Space Odyssey in lieu of the "temporary" tracks he had used for editing, turning Richard Strauss' Also Sprach Zarathustra into an unlikely 20th-century pop icon. For his 1971 adaptation of Anthony Burgess's cautionary future-shocker, Kubrick once again turned to the classics. Malcolm McDowell's protagonist Droog Alex's taste for Beethoven is given a nice tweaking by Moog pioneer Walter (now Wendy) Carlos's synthesized take on the glorious Ninth Symphony. Some have complained that the now-primitive electronics involved give it a dated feel. Disturbingly–and effectively–other-worldly is more like it. Kubrick also imbues repertory standards by Rossini and Elgar with dark, frequently hilarious irony, and makes Gene Kelly's sunny reading of "Singin' In The Rain" the underscore to an all-too-accurate prediction of societal nightmares to come. –Jerry McCulley

Aspiring-writer Jack Torrance accepts a job as a caretaker at the Overlook Hotel during an icy Oregon winter so he can write his book. But the hotel has a macabre history that soon begins to worm its way into the present through the medium of his psychic son, Danny. Elegantly disturbing images ensue as Jack's writer's block gives way to derangment and his son sensitivity to the paranormal peels back the layers of history.

Jack Torrance se muda junto con su familia al hotel Overlook, donde ha sido contratado como encargado de mantenimiento mientras las instalaciones permanecen cerradas durante el duro invierno de cinco meses. Su idea es escribir su novela al tiempo que cuida de las instalaciones durante esos largos y solitarios meses, pero desde su llegada al hotel Jack comienza a padecer inquietantes transtornos de personalidad, al mismo tiempo que en el lugar comienzan a suceder diversos fenómenos paranormales.