Stanley Dance

The Stanley Clarke Band moniker goes back at least as far as 1985's electro-funk-inflected Find Out!, and picked up in earnest with 2010's eponymously titled The Stanley Clarke Band. The only real through-line, however, is virtuoso bass pioneer Clarke, who leads his ever-evolving bands through what are usually a stylistically varied set of songs that touch upon driving jazz-fusion, funky crossover jams, harmonically nuanced acoustic modal bop, and even forays into classical. It's a cross-pollinated vibe he championed on 2014's Up and one he returns to with conceptual gusto on 2018's expansive The Message. Joining him are pianist Beka Gochiashvili (who previously played Up), keyboardist Cameron Graves, and drummer Mike Mitchell.

Five of the jazz bassist' solo albums in a slipcase. 'Stanley Clarke' released in 1974, 'Journey To Love' from 1975, 'School Days' from 1976, 'Modern Man' from 1978 & the 'Clarke/Duke Project' from 1981.

The bass has seen its share of extraordinary innovators in the hundred-plus years of jazz history. Stanley Clarke, much like such hallowed figures as Jimmy Blanton, Charles Mingus and Scott LaFaro, was a game changer on his instrument. Unlike those who came before him though, Clarke helped alter the nature of both the acoustic and electric configurations of the bass. His groundbreaking work of the 1970s has been so integrated into the very fabric of modern jazz bass playing that a return visit to his own brilliant recordings can be nothing less than a revelatory listening experience.