Star Tracks Yuri Honing

"Avalon is inspired by an ancient Celtic myth of an island in dense fog where the Holy Grail is said to be located, King Arthur is buried and where Excalibur is hidden. I use it as a metaphor for the present time in which we live in which it is not clear to anyone what the world will look like after the pandemic. The single Avalon is a dreamy piece of music that is also used for the exhibition in De Fundatie that will run until the spring of 2021."

'Heaven on my mind' is the fifth album by the Yuri Honing Acoustic Quartet and will be released in September 2023 for Challenge records. After the thematic albums 'True' (2012 inspired by Berlin and David Bowie). 'Desire' (2015, an instrumental opera about longing), 'Goldbrun' (2017 a homage to Europe and Honing's interest in European art music) and 'Bluebeard' (2020, a dark album mainly inspired by the 300-year-old fairy tale of the same name), there is now 'Heaven on my mind'.

Edsel is pleased to announce the release of a comprehensive Five Star box set, which has been personally curated by DENISE PEARSON. Five Star were managed by their Father, Buster Pearson who harboured the idea that his talented children could be the UK's 1980s version of an older Jackson 5. Following an appearance on BBC One's Pebble Mill in 1983, Five Star signed to RCA Records then spent 1984 honing their craft and performing at numerous club PAs around the country…

Kent Nagano and the Hallé continue to commit to CD less celebrated portions of the Britten canon. Last year there was the four-act Billy Budd; before that the premiere recording of a concert version of the radio drama The Rescue. Now come two more firsts, recordings of the Double Concerto - prepared from Britten's almost complete sketches by Colin Matthews and presented by Nagano at Aldeburgh in 1997 - and the Two Portraits from 1930. The second of these is a portrait of Britten himself, a surprisingly plaintive and reflective meditation for viola and strings in E minor. The image is belied by the rest of the music on the disc, which is buoyant, energetic, young man's music all written before Britten was 26. Big guns Kremer and Bashmet are brought in for the Double Concerto and give of their impassioned best. Nagano and the Hallé are appropriately spirited and vigorous throughout the disc. It's not mature Britten, but clearly points the way forward and is worth getting to know.

Tan Dun's Concerto for String Orchestra and Pipa (1999) is a reworking of one of his most popular works, Ghost Opera, written for and recorded by the Kronos Quartet. In this version, the composer's characteristic polystylism – which here includes Chinese folk song, Copland-esque Big Sky music, quotations from Bach, and vocalizations by the orchestra – comes across as a jumble, without much of a strong vision holding the disparate elements together. Pipa virtuoso Wu Man, who appeared on the Kronos recording, plays the concerto with energy and delicacy. She's ably accompanied by the Moscow Soloists, led by Yuri Bashmet. The concerto is followed by Takemitsu's Nostalghia (1987) for violin and string orchestra. Its compositional assurance, clarity, subtly nuanced orchestration, and emotional directness make it all the more striking in contrast to the Tan Dun. Here Bashmet is the impassioned soloist, with Roman Balashov conducting with great sensitivity. The three brief excerpts from Takemitsu's film scores are a pleasant stylistic diversion – light, strongly differentiated character pieces.