End of Japanese Cinema

When man-about-town Saheiji (the beloved comedian Frankie Sakai) finds himself unable to pay for a bill at a brothel, he is forced to remain there to work off his debt. However he finds his wit and resourcefulness enable him to turn this situation to his advantage, as he interacts with a whole range of characters, from rivalling courtesans to political activists.

Until 1951, when Kurosawa’s Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored.

Now available in paperback for the first time, A Hundred Years of Japanese Film by Donald Richie, the foremost Western expert on Japanese film, gives us an incisive, detailed, and fully illustrated history of the country's cinema.