End of Japanese Cinema

In 1959, Yasujiro Ozu remade his 1934 silent classic A Story of Floating Weeds in color with the celebrated cinematographer Kazuo Miyagawa (Rashomon, Ugetsu). Setting his later version in a seaside location, Ozu otherwise preserves the details of his elegantly simple plot wherein an aging actor returns to a small town with his troupe and reunities with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all. Together, the films offer a unique glimpse into the evolution of one of cinema’s greatest directors. A Story of Floating Weeds reveals Ozu in the midst of developing his mode of expression; Floating Weeds reveals his distinct style at its pinnacle. In each, the director captures the joy and sadness in everyday life.

Of all Masaki Kobayashi’s attacks on the cruelty and inhumanity perpetrated by authoritarian power (including The Human Condition and Samurai Rebellion), perhaps none are more brilliant than his visceral, mesmerising Harakiri [aka Seppuku].
In a magnificent performance, Tatsuya Nakadai (Yojimbo, The Face of Another, Ran) stars as Hanshiro Tsugumo, a masterless down-and-out samurai who enters the manor of Lord Iyi, requesting to commit ritual suicide on his property. Suspected of simply fishing for charity, Hanshiro is told the gruesome tale of the last samurai who made the same request – but Hanshiro will not be moved…

July, 1943: Japan's army is on the run. A platoon in Burma sings to keep its spirit up. Inspiration comes from their self taught lute player, Mizushima. At war's end, while they await repatriation at Mudon prison camp, Mizushima is sent to convince a Japanese company dug into a mountain that it must surrender. He fails, the British attack, many die, and his companions fear he's been killed. However, he has survived and disguised himself as a Buddhist priest. En route to Mudon to join his comrades, the frequent sight of dead Japanese soldiers overwhelms him. He vows to live a life of prayer, burying bones and bodies; his friends want him to return with them to Japan.

Based on the true story of Iwao Enokizu (Ken Ogata) and his murderous rampage which sparked a 78-day nationwide manhunt, Shôhei Imamura’s disturbing gem Vengeance Is Mine [Fukushû suru wa ware ni ari] won every major award in Japan on the year of its release. Both seducing and repelling with its unusual story and grisly humour, Imamura uncovers a seedy underbelly of civilised Japanese society.

The latest Eureka two disc set of Kenji Mizoguchi films includes two of the last three films that the director made, and includes one of the only two films that the director shot in colour. Akasen Chitai and Yokihi show the director's continuing interest in the role of women in the changing world around them. Akasen Chitai represents somewhat of a change of style for Mizoguchi and, ironically, was his final film, whilst Yokihi was a rare journey into non-Japanese history which upholds the sumptuous settings of his other works whilst providing an opportunity for the film-maker to experiment visually courtesy of the Eastmancolor process.

The creator of such timeless masterpieces as Rashomon, Ikiru, Seven Samurai, Yojimbo, and High and Low, Akira Kurosawa is one of the most influential and beloved filmmakers who ever lived - and for many the greatest artist the medium has known. Now, on the occasion of the centenary of his birth, the Criterion Collection is proud to present this deluxe box set celebrating his astonishing career. Featuring twenty-five of the films he made over the course of his fifty years in movies - from samurai epics to postwar noirs to Shakespeare adaptations - AK 100 is the most complete set of his works ever released in this country, and includes four rare films that have never been available on DVD.

The creator of such timeless masterpieces as Rashomon, Ikiru, Seven Samurai, Yojimbo, and High and Low, Akira Kurosawa is one of the most influential and beloved filmmakers who ever lived—and for many the greatest artist the medium has known. Now, on the occasion of the centenary of his birth, the Criterion Collection is proud to present this deluxe box set celebrating his astonishing career. Featuring twenty-five of the films he made over the course of his fifty years in movies—from samurai epics to postwar noirs to Shakespeare adaptations—AK 100 is the most complete set of his works ever released in this country, and includes four rare films that have never been available on DVD.