Star Wars Vehicles

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While Soviet combat aircraft have received extensive coverage, the many UAVs developed in the Soviet Union and, more recently, Russia remain unsung. Nevertheless, this is a subject deserving attention. The first Soviet UAV to find large-scale use was the La-17 developed by the Lavochkin OKB, a fighter maker of World War II fame; it came in both target drone and reconnaissance versions. The Tupolev OKB, best known for its heavy bombers and commercial aircraft, also had a line of UAVs of varying size. The first of these was the Tu-123 Yastreb which started life as a heavy cruise missile but evolved into a supersonic unmanned spyplane; the book also describes the Tu-141 Strizh (Swift), which again came in reconnaissance and target versions, the Tu-243 Reys (Flight) and the latest Tu-300 recce/strike UAV. The Yakovlev OKB's unmanned aircraft are also covered, including the Pchela (Bee) surveillance UAV which has seen operational use in the Chechen wars; mention is also made of UAVs and drones developed by such companies as Strela and the Moscow Aviation Institute. The book is richly illustrated with black-and-white and color photos, including until-now unpublished ones, and line drawings.

This book examines a spate of American films released around the turn of the millennium that differently address the actuality or possibility of domestic fascism within the USA. The films discussed span a diversity of forms, genres and production practices, and encompass low- and medium-budget studio and independent releases (such as American History X, Stir of Echoes and The Believer), star and/or auteur vehicles (such as The Siege, Fight Club and American Beauty), and high-budget, high-concept science-fiction films and franchises (such as Starship Troopers, Minority Report, the Matrix and X-Men trilogies and the Star Wars prequels).

This book examines a spate of American films released around the turn of the millennium that differently address the actuality or possibility of domestic fascism within the USA. The films discussed span a diversity of forms, genres and production practices, and encompass low- and medium-budget studio and independent releases (such as American History X, Stir of Echoes and The Believer), star and/or auteur vehicles (such as The Siege, Fight Club and American Beauty), and high-budget, high-concept science-fiction films and franchises (such as Starship Troopers, Minority Report, the Matrix and X-Men trilogies and the Star Wars prequels).