Starsky Hutch

It's compilations like this that make one wish she or he lived in some other country where Universal does business because the U.S. gets the last consideration when it comes to reissues. The Japanese and Europeans come first and second, then Brazil and Latin America, then the United States, and this Music Club issue of jazz versions of spy movie music and thriller TV themes is a prime example. Take a gander at the track list: from Basie doing the theme from M-Squad and Lalo Schifrin's original Dirty Harry theme to the James Taylor Quartet's acid jazz reading of the Starsky and Hutch theme, the strange, spacy reading of Isaac Hayes' "Theme from Shaft" by the Alfred Hauser Orchestra, and Sammy Davis, Jr. wailing on "Keep Your Eye on the Sparrow" for the Baretta TV show, this set is all killer, no filler and highly recommended…

What you see is what you get, an excellent little compilation of the various faces of soul-jazz as presented by the Verve label with their amazing array of artists from Hugh Masekela to Willie Bobo and Herbie Mann on the one hand, and Dizzy Gillespie, Jon Hendricks (in an outstanding reading of Herbie Hancock's "Watermelon Man") the Heath Brothers, and Teddy Edwards on the other. The track list is wonderfully varied, too: there's a smoking version of Hancock's "Cantaloupe Island" by Masekela, a pair by Jimmy Smith, and a big band – a new entry by the acid jazz group the James Taylor Quartet, but they get it deep; and Wynton Kelly goes deep into soul and blues with "Escapade." Anyway you cut it, it comes out great.

Sooner or later labels should just get real. This is not the "best of" Tom Scott. It's just the best of Tom Scott on Columbia. It's the Impulse recordings, the Warner recordings, and the GRP recordings to boot that would really make a representative best-of. To be fair, when this was issued, there wasn't a lot of cross-licensing going on in the music biz, though there is some here. Since it was issued, much consolidation has occurred, and, strangely enough, there has been a lot more cooperation. Perhaps they are all going to become one large conglomerate one day.

David Soul will always be remembered as half of television's hip '70s cop duo Starsky & Hutch, but he actually started his professional career as a folksinger. Before the weekly series made him and co-star Paul Michael Glaser international stars, Soul opened shows for such notables as Frank Zappa, Jay & the Americans, Mitch Ryder & the Detroit Wheels, the Byrds, and the Lovin' Spoonful.

Universal TV UK's Connected: '90s 12" Mixes features 36 cuts over three discs culled from the clove-smoked DJ bins of the mainstream '90s. Using the instantly recognizable four-note jam from the Stereo MC's as its impetus and lead-off cut, Connected collects all of the extended versions that listeners were duped into buying during the age of the CD-single, like eight minutes of the Soup Dragons' "I'm Free," a remix of Deee-Lite's "Groove Is in the Heart," and the bass loop version of Stone Roses' "Fools Gold," resulting in an overly long trip (pub crawl) down memory lane that would have been fine had it been streamlined into a single disc. Sadly, no drugs or light sticks are included.