Statkapelle Dsd

Air Pocket (The Fowler Brothers) - Fly On (1975) {2015 DSD Japan East Wind Masters Collection 1000}

Air Pocket (The Fowler Brothers) - Fly On (1975) {2015 DSD Japan East Wind Masters Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 130 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9145
Jazz / Fusion / Light Bop

Reissue with the latest DSD remastering. A warm and soulful set of fusion tracks – issued only in Japan, but recorded by a hip group from the US! Air Pocket features the Fowler Brothers – Walt, Bruce, Ed, and Steve – on trumpet, trombone, bass, and alto, respectively – plus drummer Chester Thompson, guitarist Mike Miller, and pianist Stu Goldberg, who really plays some great moog, clavinet, and electric keys on the set! Tunes are well-written – a bit choppy, but never too jamming, and really just done in this nice blocky way that creates a slightly funky approach, and a good degree of soul. Titles include "Elephant's Graveyard", "Hi Lo Redic", "Colors For Marvin", "Night's Move", and "Becky".
Sadao Watanabe - Recital (1976) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9178}

Sadao Watanabe - Recital (1976) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9178}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 324 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 600 dpi (png) -> 159 Mb | 5% repair rar | DSD Mastering
© 1976, 2015 East Wind Music / Universal Japan | UCCJ-9178
Jazz / Post Bop / Neo Bop / Fusion / Saxopohone

A great live set from Sadao Watanabe – one that shows the wealth of influences he'd been drawing on, from post-Coltrane spirituality, to African-oriented rhythms, to a slight bit of funk! The group's great – with Watanabe on flute, alto, and soprano sax, Takehiro Honda on Fender Rhodes and piano, Kazumi Watanabe on guitar, plus added bass, trombone, and percussion – and we especially like Honda's keyboards, which make any session like this an instant treat! The album's got a warm, soulful feeling, but a sharper edge than most of Watanabe's smoother work of the time – and titles include "Hiro", "Maraica", "Wana Tanzania", and "Mathari Terbenam".
Miles Davis - Nefertiti (1967) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1218}

Miles Davis - Nefertiti (1967) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1218}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 239 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 66 Mb | 5% repair rar
© 1967, 2006 Sony Music Japan / Columbia | SICP 1218 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes – but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes.
Oliver Nelson - Stolen Moments (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9144}

Oliver Nelson - Stolen Moments (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9144}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (png) -> 144 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9144
Jazz / Post Bop / Modern Jazz Group / Saxophone

Reissue with the latest DSD remastering. One of the last sessions Oliver Nelson ever recorded – a genius batch of work recorded for the Japanese East Wind label, and maybe one of his greatest albums ever! The set's a wonderful link between the sophisticated large group sounds that Nelson did for Impulse Records in the 60s, and some of the more expansive styles he was trying out on the Flying Dutchman imprint in the 70s – a batch of work that both has that sense of majesty that Nelson could command at his best, but which still retains an earthy vibe overall.
Andrew Hill - Hommage (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9147}

Andrew Hill - Hommage (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9147}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 151 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 133 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9147
Jazz / Post Bop / Modern Creative / Piano

Reissue with the latest DSD remastering. An obscure set of solo tunes from modernist Andrew Hill – originally recorded for the Japanese East West label in 1975, and a very different side of Andrew's music than his Blue Note work of the 60s – but one that's equally great!. Hill's playing a grand piano – with a complex approach to chords that's really compelling – this sense of flow and majesty that we really love, as Andrew tries out some sharp edges at points – but still retains some of that soulfulness he rediscovered as the 70s approached. There's a darkness to the material that we didn't always hear in Hill's other sides – and the intimacy of the recording shows that his talents are still extremely rich at this point in his career. Titles include "Naked Spirit", "Rambling", "Vision", "Clayton Gone", and "Insanity Riff".
Miles Davis - Bitches Brew (1969) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1220~21}

Miles Davis - Bitches Brew (1969) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1220~21}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 603 Mb | MP3 @320 -> 228 Mb | Full Artwork | 5% repair rar
© 1969, 2006 Sony Music Japan / Columbia | SICP 1220~21 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were already established while others would become high-profile players later, Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, and Lenny White among them. Originally thought to be a series of long jams locked into grooves around keyboard, bass, or guitar vamps, Bitches Brew is actually a recording that producer Teo Macero assembled from various jams and takes by razor blade, splice to splice, section to section.
Miles Davis - 1958 Miles (1958) {DSD Sony Japan 2001, SRCS 9744}

Miles Davis - 1958 Miles (1958) {DSD Sony Japan 2001, SRCS 9744}
EAC rip (secure mode) | FLAC+CUE+LOG -> 367 Mb | MP3 @320 -> 127 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb
© 2001 Columbia / Sony Japan | SRCS 9744 | Master Sound | DSD Mastering
Jazz / Modal Music / Hard Bop / Trumpet

Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work.
Art Farmer - To Duke With Love (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9142}

Art Farmer - To Duke With Love (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9142}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 125 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9142
Jazz / Bop / Cool / Hard Bop / Flugelhorn

Reissue with the latest DSD remastering. A pretty sweet 70s set from Art Farmer – ostensibly a tribute to Duke Ellington, but really more of a gently soulful session in the mode of Art's best work of the decade! The group is the Cedar Walton trio with Walton on piano, Sam Jones on bass, and Billy Higgins on drums – all matching Art's lyrical work beautifully, in a soulfully swinging way that transforms familiar Ellington numbers into new vehicles for creative expression. Farmer's at the height of his powers, and tracks include "Love You Madly", "Lush Life", "In A Sentimental Mood", and "The Star Crossed Lovers".
Andrew Hill - Nefertiti (1976) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9162}

Andrew Hill - Nefertiti (1976) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9162}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 151 Mb | 5% repair rar | DSD Mastering
© 1976, 2015 East Wind Music / Universal Japan | UCCJ-9162
Jazz / Post Bop / Piano

Reissue with DSD remastering. Originally recorded for the Japanese East Wind label and only made available domestically on a 1979 Inner City LP, this trio outing by pianist Andrew Hill also features bassist Richard Davis and drummer Roger Blank. Hill performs six of his unpredictable originals ("Nefertiti" is his tune, not the more famous composition by Wayne Shorter) and, although the music seems slightly more conservative than usual for a Hill set, the music is consistently stimulating; too bad it's so difficult to locate.
Sam Jones - Seven Minds (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9140}

Sam Jones - Seven Minds (1974) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9140}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 136 Mb | 5% repair rar | DSD Mastering
© 1974, 2015 East Wind Music / Universal Japan | UCCJ-9140
Jazz / Hard Bop / Post Bop

Reissue with the latest DSD remastering. A strong 70s recording by a group that was mostly known as the Cedar Walton trio – the group of Sam Jones on bass, Walton on piano, and Billy Higgins on drums – recorded only for the Japanese market, and a heck of a record! The set's got one standout feature that sets it apart from some of the other sides by the Walton group at the time – the use of a string quartet on a few of the tracks, which creates some great interplay between the core trio and the augmented strings.