Stenz Mahler

Gurzenich-Orchester Koln, Markus Stenz, Soloists - Arnold Schoenberg: Gurre-Lieder (2015) 2CDs

Arnold Schoenberg - Gurre-Lieder (2015) 2CDs
Barbara Haveman (soprano), Claudia Mahnke (mezzo), Brandon Jovanovich (tenor)
Gerhard Siegel (tenor), Thomas Bauer (baritone), Johannes Martin Kränzle (speaker)
Gürzenich-Orchester Köln, conducted by Markus Stenz

EAC | FLAC | Image (Cue&Log) ~ 545 Mb | Mp3 (CBR320) ~ 251 Mb | Artwork included
Genre: Classical, Choral | Label: Hyperion | # CDA68081/2 | Time: 01:48:01

Markus Stenz and the Gürzenich Orchestra Köln have demonstrated a special aptitude for performing large scale post-Romantic works, notably the symphonies of Gustav Mahler, which they recorded for Oehms Classics as a series of hybrid SACDs. They have followed that impressive cycle with what is probably the most Mahlerian work Arnold Schoenberg ever composed, the massive Gurrelieder for solo voices, multiple choruses, and large orchestra. This 2015 Hyperion release is impressive in its crisp details, vibrant tone colors, and startling clarity, all of which are evident in the opening instrumental passages in the Prelude, and which continue through the nearly operatic vocal parts, which have remarkable presence in the face of an orchestra that exceeds Wagnerian proportions. The recording is presented on two CDs that offer extraordinary sound for digital stereo, and the only disappointment is that this wasn't released as a multichannel recording. Listeners who find Schoenberg's modernist music difficult may be more receptive to this cantata, which is his most openly Romantic score and strongly reminiscent of Wagner's music dramas. Highly recommended.

Karl Amadeus Hartmann - Symphonies Nos. 1-8 (2014) [DSD][OF]  Vinyl & HR

Posted by popsakov at Jan. 26, 2017
Karl Amadeus Hartmann - Symphonies Nos. 1-8 (2014) [DSD][OF]

Karl Amadeus Hartmann - Symphonies Nos. 1-8 (2014)
DSF (Tracks) 2.0 ch | DSD64 2.0 (2,8 MHz/1 bit) | Digital Booklet | 8,27 Gb | 5% Recovery
FLAC (Tracks) 2.0 ch, 24bit/88,2 kHz (converted with foobar2000) | Digital Booklet | 3,34 Gb | 5% Recovery
Classical, Symphony | © 2014 Challenge Classics

A native of Munich, Karl Amadeus Hartmann (1905-1963) was without a shadow of a doubt the greatest symphonist in the Central European tradition since Bruckner and Mahler. The sketches and early versions of six of his eight symphonies had their origins in one of the darkest periods in world history – from 1933 to 1945 – when the Nazis were in power and Hartmann gradually withdrew completely from public life. This period, which culminated in Hartmann’s own ‘Innere Emigration’ (inner emigration), represented a decisive turning point in his creative development…
VA - RCO 125 The Radio Legacy: Anthology of the RCO, Volumes 1-7 (2013) (152 CDs Box Set)

VA - RCO 125 The Radio Legacy: Anthology of the RCO, Volumes 1-7 (2013) (152 CDs Box Set)
EAC Rip | FLAC (Tracks, no cue, log) | 152 CDs | 46,6 Gb | Scans -> 475 mb
Genre: Classical / Label: RCO Live

The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
RCO - Anthology of the Royal Concertgebouw Orchestra, Volume 7, 2000-2010 (2013) {14CD Box Set, RCO 12004} (Complete Artwork)

RCO - Anthology of the Royal Concertgebouw Orchestra, Volume 7, 2000-2010 (2013) {14CD Box Set, RCO 12004} (Complete Artwork)
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.42 Gb | MP3 @320 -> 2.45 Gb
Full Artwork @ 300 dpi (jpg) -> 144 Mb | 5% repair rar
© 2000-2010, 2013 Radio Netherlands Music / RCO LIve | RCO 12004
Classical / Orchestral

This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.