Stephen Shepherd

For many, Christmas wouldn’t be Christmas without the sound of carols sung from King’s College Chapel, and each year over the festive period millions around the world enjoy the Choir’s A Festival of Nine Lessons & Carols. This two-part collection celebrates 100 years of the iconic service with a mix of brand-new performances and historical recordings not heard since the original BBC broadcasts.

Both Acis and Galatea and the cantata Sarei troppo felice heard here represent decisive turning points in Handel’s career. The Italian cantata came at the beginning of the one and half decades spent by Handel in the service of various patrons. Acis and Galatea marks the highpoint of this phase and therefore, like the cantata before it, clearly renders recognizable the musical means available to him in the private ensembles of his employers. Moreover, Acis and Galatea contains the musical and textual seeds of the English oratorio, which after 1742 completely supplanted opera compositions.

The young Felix Mendelssohn's acquaintance with Acis and Galatea was due to Carl Friedrich Zelter, his composition teacher and conductor of the Berlin Singakademie. In 1828 Zelter asked Mendelssohn, by then a student at Berlin's university, to produce rescored versions of both Acis and Galatea and the Dettingen Te Deum for the use of the Singakademie. According to Fanny these orchestrations were a quid pro quo for obtaining Zelter's blessing on Felix's proposed revival of Bach's St. Matthew Passion and securing the cooperation of the Singakademie in the venture, which came to fruition on 11 March 1829.

Born in Venice, Antonio Sartorio (1630-1680) composed 14 operas. He often made the long journey from Hanover, where he held the post of Maestro di Capella to the Duke of Brunswick, to compose and present new operas in his native city and recruit musicians for the German court. He is credited with introducing Italian opera to the Hanover court in 1672. Sartorio finally returned to Venice to be Maestro at St Mark’s where he composed sacred music, albeit not as much as the renowned Coffi might have been expected of him in that position.

The Music of King’s: Choral Favourites From Cambridge is a celebration of choral music throughout the ages and around the world. Its track list spans more than 400 years of composition, with compositions from countries including Germany, France, Great Britain, Italy, Norway, America and China.