Steve Harris

Once again Steve Turre has shown his style and ability by making an album that is entertaining to all. Turre not only shows his technical ability, but he shows his usual graceful and easing style. He also has great guest performances. The list includes Randy Brecker, J. J. Johnson, John Faddis, and many others. While Turre's seeming obsession with the conchshell provides the listener with a very soothing and natural sound at times, occasionally he can leave the listener wishing he would pick up his trombone. This album is a must have for anyone who values the beauty of the trombone, or the intricacies of good jazz.

This is different stuff…but I like it a lot. In fact, I like Steve Martland's music more than Phillip Glass. Phillip Glass was great for a start but once he became famous, all the songs sound the same. At least with Steve Martland the music is always different. The 1st section called "Danceworks" is simple Classical music with a rock beat, very jumpy & danceable, almost comical at times. The highlight is "Patrol", this is what many normally think as Classical music. This piece is the most haunting, loneliest piece of music I ever heard. At times the music seems like Arvo Part with its starkness, specially with the violins, yet Steve Martland holds onto his originality. Let me write it this way; if you want something different & feel very depress, either play "Danceworks" to left your spirits or if you want to remain depressed play "Patrol" to explore the uniqueness & mystery of your soul. - Amazon Reviewer

Iron Maiden's World Slavery Tour was one of the longest and most extensive tours ever undertaken by a rock band. Lasting from August 9, 1984, to July 5, 1985, and visiting such countries as Poland, Austria, Hungry, Yugoslavia, Italy, France, Spain, Portugal, Scotland, England, Germany, Sweden, Canada, Japan, and the U.S., the show included a mammoth setup that replicated the intricate ancient Egyptian scenery of the Powerslave album cover…