Stevie Stand

Epic/Legacy expanded Stevie Ray Vaughan’s second album Couldn’t Stand the Weather in 1999, adding four outtakes and an interview excerpt to the eight-track original, but the 2010 Legacy Edition expands it further still, retaining those four cuts, adding four songs from the posthumous compilation The Sky Is Crying (“Empty Arms,” “Wham!,” “Close to You,” “Little Wing”) along with three previously unreleased alternate takes (“The Sky Is Crying,” “Stang’s Swang,” “Boot Hill”), and a full, unreleased concert SRV & Double Trouble gave at the Spectrum in Montreal on August 17, 1984. Apart from “Empty Arms” and “Stang’s Swang,” every studio outtake is a cover, underscoring how Vaughan spent much of Couldn’t Stand the Weather drawing from his influences and synthesizing them into his own voice, and their addition actually strengthens the album considerably. With that in mind, the lively concert on the second disc is a bonus treat, evidence that SRV & Double Trouble were flying very high during 1984 and one of the better complete live sets in Vaughan’s discography.

Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals – not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn't. Nevertheless, Couldn't Stand the Weather feels a bit like a holding pattern, since there's no elaboration on Double Trouble's core sound and no great strides forward, whether it's in Vaughan's songwriting or musicianship.

Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals – not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn't. Nevertheless, Couldn't Stand the Weather feels a bit like a holding pattern, since there's no elaboration on Double Trouble's core sound and no great strides forward, whether it's in Vaughan's songwriting or musicianship.

Released to coincide with Stevie Nicks' solo induction into the Rock & Roll Hall of Fame – she is the first woman to be inducted twice, once with a band, once as a solo act – the retrospective Stand Back: 1981-2017 is available in three distinct forms. First, there's a deluxe edition with either three CDs or six LPs, divided by a disc of solo hits, a disc of collaborations, and a disc of live material buttressed by contributions to film soundtracks. Second, there's a digital version containing 40 of the triple-disc's 50 tracks, with a single-disc collection of hits bringing up the rear. Of the three, the latter is the most user friendly, containing all of her big hits along with live versions of Fleetwood Mac's "Dreams" and "Gold Dust Woman."

Released to coincide with Stevie Nicks' solo induction into the Rock & Roll Hall of Fame – she is the first woman to be inducted twice, once with a band, once as a solo act – the retrospective Stand Back: 1981-2017 is available in three distinct forms. First, there's a deluxe edition with either three CDs or six LPs, divided by a disc of solo hits, a disc of collaborations, and a disc of live material buttressed by contributions to film soundtracks. Second, there's a digital version containing 40 of the triple-disc's 50 tracks, with a single-disc collection of hits bringing up the rear. Of the three, the latter is the most user friendly, containing all of her big hits along with live versions of Fleetwood Mac's "Dreams" and "Gold Dust Woman."

The 2013 mini-box Original Album Classics rounds up the early-2000s expansions of Texas Flood, Couldn't Stand the Weather, and Soul to Soul at an affordable price point. It's arguable that SRV's best work came a bit later (In Step often seems like his best), but all three of these showcase the guitarist at his best and this package is a good bargain.

The 2013 mini-box Original Album Classics rounds up the early-2000s expansions of Texas Flood, Couldn't Stand the Weather, and Soul to Soul at an affordable price point. It's arguable that SRV's best work came a bit later (In Step often seems like his best), but all three of these showcase the guitarist at his best and this package is a good bargain.

Epic's The Essential Stevie Ray Vaughan and Double Trouble gathers two discs' worth of the late blues guitarist's work, including many live performances and a few tracks with the Vaughan Brothers. The collection presents Vaughan's material in roughly chronological order, from the 1980 live recording "Shake for Me" to 1989's "Life by the Drop." It also touches on most of Vaughan's definitive songs and performances, including "Tightrope," "Wall of Denial," "Couldn't Stand the Weather," and "Cold Shot," and live versions of "The Sky Is Crying," "Superstition," and "Rude Mood/Hide Away." Though this album doesn't offer anything that hasn't already been released in some form or another, it does go into slightly more depth than several of the other Stevie Ray Vaughan retrospectives by presenting both his greatest studio hits and some of his best live work.