Stevie Wonder Songbook

In 2014 Camille formed her own record label Camilleon Records and released a solo album I Sing Stevie: The Stevie Wonder Songbook. The album featured the songs of Stevie Wonder and included many top session players, including Will Lee, Mitchel Forman, Horacio "El Negro" Hernandez, Marc Quiñones and others. It received positive reviews, with Bass Musician Magazine commenting, "Camille has serious vocal skills and a wealth of experience that makes her the perfect performer to attempt this musical Mount Everest". In March 2015, the album was nominated for Best Tribute Album in the 14th Annual Independent Music Awards.

This is a tribute album with a difference. Vocalist Jen Chapin, daughter of Harry, has decided to take on the Stevie Wonder songbook with the minimalist accompaniment of bass and saxophone alone, played by Stephan Crump and Chris Cheek respectively. "ReVISIONS" is more of personal project, close to an all-original jazz set, similar in feeling and sound to Sheila Jordan's duos with the solo bassist Harvey Swartz. These boys and a lady create groove and feeling with only 2 instruments and natural jazzy voice!

This is a tribute album with a difference. Vocalist Jen Chapin, daughter of Harry, has decided to take on the Stevie Wonder songbook with the minimalist accompaniment of bass and saxophone alone, played by Stephan Crump and Chris Cheek respectively. ReVISIONS is more of personal project, close to an all-original jazz set, similar in feeling and sound to Sheila Jordan's duos with the solo bassist Harvey Swartz. These boys and a lady create groove and feeling with only 2 instruments and natural jazzy voice!

Today, jazz is studied, performed, and preserved in university settings. Jazz ensembles, private lessons, and survey classes study the canon, learning technique and the iconic recordings and artists that created and developed jazz and its many sub genres.

A gathering of legendary artists have come together to join the Count Basie Orchestra under the direction of Scotty Barnhart for this historic release celebrating the iconic band from its earliest years, throughout the decades with Sinatra and Ella, and through to today’s contemporary artists.

An intimate, late-night mix of mellow bossa nova and jazz - from well-known standards to reworkings of modern pop songs - this is a wonderfully original debut from a new star on the British jazz scene.

Beatles covers are a dicey proposition at best. Even the most ingenious and unique rendition seems destined to suffer in comparison to the original, and the potential for failure is virtually limitless – either way, it's an idea as sound as remaking Citizen Kane with Pauly Shore in the title role. And yet artists are drawn to the Lennon/McCartney songbook like bees to honey, their desire to cover these songs best likened to a creative death wish – We Can Work It Out assembles 16 of these kamikaze missions, and believe it or not, despite the inevitable wreckage there's also a handful of survivors. Setting loose these familiar songs in jazz and funk modes far removed from the Beatles' original recordings enables greater room for personalization and innovation, and the artists featured here are hardly slouches, either – Ike & Tina Turner (who know a thing or two about making covers their own – ask John Fogerty) deliver a gritty, low-down version of "Come Together," Stevie Wonder invests "We Can Work It Out" with the boundless optimism and sensitivity of his own music, and Earth, Wind & Fire update McCartney's Motown tribute "Got to Get You Into My Life" in accordance with the updated rules of the soul handbook. A bonus-mix CD courtesy of 4hero's Marc Mac rounds out a set far better than it has any right to be. (AMG)