Stll Got The Blue

Hidden Gems is the second studio album by Canadian blues rock band, The Blue Stones. The album was released on March 19, 2021, through eOne.

To complete their reissue programme The Blue Nile again worked alongside long term producer/engineer partner Calum Malcolm. This 2CD deluxe set, features all nine tracks remastered plus a bonus disc featuring four previously unreleased songs plus two extended remixes - over 32 minutes of new music!

This is a keeper from the word "go." Recorded live in 1995 (but not released until 1998) at Yoshi's in Oakland, CA, Robben Ford is joined by long-time Blue Line trio members Roscoe Beck on bass and Tom Brechtlein on drums, as well as Bill Boublitz on a baby grand piano. Although nearly all of the songs can be found on other Ford albums (most are from Handful of Blues), one of the things that makes this jazzy recording so special is that Ford is playing only an acoustic guitar. The Ray Charles gem "Don't Let the Sun Catch You Crying" (which you WON'T find elsewhere) is simply beautiful, and on Paul Butterfield's "Lovin' Cup," it's just Ford and his guitar. The brilliance of his playing and the reason behind why so many guitar players put him at the top of their list can be found in Ford's performance on this release, alternating between lead and rhythm. The Authorized Bootleg also has great (albeit laid-back) versions of "When I Leave Here" and "Tired of Talkin'." Highly, highly recommended.

A well-rounded exploration of every shade of blues Ford does so well: Chicago-style ("When I Leave Here"), jump blues ("The Miller's Son"), jazz-blues balladry ("Don't Let Me Be Misunderstood"), and Texas shuffle ("Tired of Talkin'"). Ford's buttery lines and burnished tone (and his boyish voice) are captured in all their glory by producer Danny Kortchmar. Solidly anchored by bassist Roscoe Beck and drummer Tom Brechtlein, Ford solos liberally, taking the fast funk of "Think Twice" over the top with a burning series of rapid-fire runs and well-tooled turnarounds. Slowing down for a languid version of Willie Dixon's "I Just Want to Make Love to You," Ford plays it raw and soulful, recalling B.B. King. He then turns up the pace on "Strong Will to Live," closing out the album with a signature solo full of fire and drama.