Storytelling in The New Hollywood

Humphrey Bogart plays a washed up director who gets a new opportunity from a millionaire (Warren Stevens) that wants to make a film starring his girlfriend (Ava Gardner in the title role), a Spanish beauty peasant who dances the flamenco provocatively. O'Brien plays a press agent. Gardner's character becomes a star after three films with (a fatherly) Bogart; she then runs off with a millionaire playboy played by Marius Goring. Later, she marries a Count (Rossano Brazzi) with a protective sister (Valentina Cortese) and a secret. The movie actually begins with the Contessa's funeral, with the story being told in flashback such that the audience eventually learns how and why she died.

Charming, engaging, and surprisingly forthright, Michael Caine gives us his insider's view of Hollywood and the story of his brilliant second act. When he was in his late 50s, Michael Caine believed his glamorous, rags-to-riches Hollywood career had come to an end. The scripts being sent his way were worse and worse. When one script really disappointed, he called the producer to complain about the part. The producer said, "No, no, we don't want you for the lover, we want you for the father."

Providing a unique opportunity to become acquainted with important movies and the elements of their greatness, this book offers a crash course in cinema, one designed to give even the novice reader a solid introduction to this complex and multifaceted medium

Increase your Listening Skills to Advance Your Career

Truth in Our Time complements American minimalist’s new symphony with compelling programming including Shostakovich’s Symphony No. 9, Korngold’s Violin Concerto, featuring James Ehnes, and potent contemporary works by Nicole Lizée and Yao.  "The concert was as much a capsule presentation of the orchestra as an institution as well as a performing ensemble. The NACO has a crisp, slightly light sound, sonorous but expressive through articulation, color, and agility rather than mass, and this suited all the pieces," New York Classical Review of the US Premiere at Carnegie Hall, April 2022

Truth in Our Time complements American minimalist’s new symphony with compelling programming including Shostakovich’s Symphony No. 9, Korngold’s Violin Concerto, featuring James Ehnes, and potent contemporary works by Nicole Lizée and Yao.  "The concert was as much a capsule presentation of the orchestra as an institution as well as a performing ensemble. The NACO has a crisp, slightly light sound, sonorous but expressive through articulation, color, and agility rather than mass, and this suited all the pieces," New York Classical Review of the US Premiere at Carnegie Hall, April 2022