Strange Folk

Sally's early albums (especially "Water Bearer", "Easy", and "Playing in the Flame") are prime examples of an innovative and creative folk-pop style, with some jazz mixed in here and there. Her later labums, like "Instincts", "Femme", and "Natasha" are a blander adult contemporary pop which, while pleasant to listen to, is nothing to get excited about. This album, "Strange Day in Berlin" is a a transitional album…

This album, "Strange Day in Berlin" is a a transitional album that still shows some of the creative spirit of the early albums, while starting to move towards the less remarkable pop of the later albums. The best tunes on this are the title track, and the rather spacey-sounding anthem of romantic despair, "10 Million Light Years from Home", but there's nothing that can really compare to any of her earlier stuff…

Responsible for two of the strangest, most beguiling acid folk albums of the early 1970s, jan dukes de grey have long been a legendary name on the prog/folk/psych collector circuit. When cherry tree reissued sorcerers and the extraordinary mice and rats in the loft on one handy double cd last year (to widespread acclaim, we might add), it seemed to be the final word on the band. However, during conversations with arch-duke derek noy the bands founder, guitarist, singer and songwriter it transpired that jan dukes had actually gone on to record a third album, strange terrain, that had failed to appear at the time, largely due to the emergence of punk and the ensuing collapse of western civilisation as we know it.

This is the second album of the British psychedelic folk band Bread Love and Dreams. It's full of really nice melodic progressive folk songs with beautiful acoustic and electric guitars, electric bass, drums and some piano, organ, moothie, flute, African and other percussion and gorgeous female and male vocal and vocal harmonies. Released on Decca (SKL5048) in 1970.

Given all that Kevin Coyne went on to achieve in his own right, his apprenticeship in Siren remains just that, a learning curve that brought out only occasional flashes of his later acerbity, while the band blues-boogied along behind him. But what flashes they are, from the effortless churn of "Relaxing With Bonnie Lou," with its invocation of Coyne's later "Eastbourne Ladies" shamelessly doing the can-can behind it, to the Stax-y soul of the title track, an R&B shouter in everything but the R&B…

Dreaming doesn’t come easy these shadowed days, which is why Strange To Explain by Woods is such a welcome turning of new colors.

This is the second album of the British psychedelic folk band Bread Love and Dreams. It's full of really nice melodic progressive folk songs with beautiful acoustic and electric guitars, electric bass, drums and some piano, organ, moothie, flute, African and other percussion and gorgeous female and male vocal and vocal harmonies.
Bread Love And Dreams was a folk-rock duo augmented by some talented session musicians including Terry Cox and Danny Thompson who were in Pentangle at that time. All three albums are now collectables.