Stranglers

The Gospel According to the Meninblack (sometimes referred to as just The Meninblack) is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981, on the Liberty label. The album explores conspiratorial themes involving alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.

The Gospel According to the Meninblack (sometimes referred to as just The Meninblack) is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981, on the Liberty label. The album explores conspiratorial themes involving alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.

The Stranglers are an English rock band who emerged via the punk rock scene. Scoring some 23 UK top 40 singles and 17 UK top 40 albums to date in a career spanning four decades, the Stranglers are one of the longest-surviving and most "continuously successful" bands to have originated in the UK punk scene of the mid to late 1970s. Access All Areas is a compilation of live tracks recorded by The Stranglers during their 1995 UK tour. It is also the name of a hacking community that met in London UK on an annual basis. Originally commissioned by SIS UK (the Stranglers Information Service) and released in 1996, this album has since been re-released (in 1998) on the VoicePrint label.

Rattus Norvegicus, the Stranglers' first album (and first of two in 1977), was hardly a punk rock classic, but it outsold every other punk album and remains a pretty good chunk of art-punk. On the other hand, No More Heroes, recorded three months later and released in September 1977, is faster, nastier, and better…

Like the Vibrators, the Stranglers were an older band which managed to gain visibility and success through association with Britain's punk movement. Musically, the group is much more polished than some of their rawer brethren such as the Adverts and Siouxsie and the Banshees…

Of the first three Stranglers albums, Black & White is arguably the weakest, yet it still has some absolutely stunning moments. For example, the epic "Toiler on the Sea" picks up where "Down in the Sewer" and "School Mam" left off on the band's two previous efforts…

While not as good as Live (X-Cert), the Stranglers' live album it bookends, this does have some things to recommend it. First, it was recorded a decade down the line and was able to draw from a wellspring of generally excellent material…