Strawbs

This album, cut live at London's Queen Elizabeth Hall in July of 1970, was the first Strawbs album to be released in the United States. It didn't do much in the U.S., but it did chart in England, and the original concert also got Rick Wakeman his first front-page coverage in the British music press, owing to his bravura performance on the solo piano spot, "Temperament for a Mind." The group is trying really hard here to make the jump from folk to folk-rock. They still play a lot of acoustic music, and some of it is surprisingly diverse, but this is a fairly successful album bridging the gap between the acoustic Strawbs combo of their first incarnation and the harder, more strident folk-rock stylings that followed on From the Witchwood, with hints of progressive leanings.

Few bands from the classic rock era that had some commercial success, yet never attained true stardom, have maintained such a steady release schedule in the 21st century as the Strawbs have. About 40 years on from the release of their debut, Dancing to the Devil's Beat finds them still at it, with a lineup in which all but one of the members served with the group back in its heyday. It would be quite unusual for a band with such a long career to be making major stylistic departures at this point, and the record has the kind of bittersweet, somber, narrative songs for which the Strawbs are known, as well as their characteristic mixture of folk and progressive rock.

The 1998 remastering of the Strawbs' best album sports the finest sound of any of their CDs, which, by itself, would make this purchase worthwhile – the detailed notes and the presence of three bonus tracks – the shorter, punchier single version of "Lay Down," "Will Ye Go," and "Backside" – only add to the enticements offered. Additionally, the song order has been changed to the correct one (on the LP, "The River" had to follow "Down by the Sea" to end the first side, because of its heavy bass part), but the main virtue is the sound, which is extraordinary: every instrument sounds as though it's miked directly into your speakers.

The 1998 remastering of the Strawbs' best album sports the finest sound of any of their CDs, which, by itself, would make this purchase worthwhile – the detailed notes and the presence of three bonus tracks – the shorter, punchier single version of "Lay Down," "Will Ye Go," and "Backside" – only add to the enticements offered. Additionally, the song order has been changed to the correct one (on the LP, "The River" had to follow "Down by the Sea" to end the first side, because of its heavy bass part), but the main virtue is the sound, which is extraordinary: every instrument sounds as though it's miked directly into your speakers.

Released in 1974, Hero & Heroine was one of the Strawbs' more popular albums, making the Top 100 in the U.S. This release is not the original recording, nor an expanded edition of it, but a much later reworking of the same material, recorded between November 2010 and March 2011. Three of the Strawbs who played on the 1974 Hero & Heroine album (Dave Cousins, Dave Lambert, and Chas Cronk) remained in the lineup this time around, with John Young on keyboards and Tony Fernandez on drums. It's different from the original, of course, in the unavoidable different flavor given to it by more modern production and instruments, though also via the absence of John Hawken, the keyboard player on the 1974 album.

Essential: a masterpiece of progressive rock music.
“Antiques and Curious” marked the Strawbs initial steps from folk rock to prog rock, and did so in a very assured and competent way. It does sound somewhat dated now, but is worth seeking out nonetheless.

Essential: a masterpiece of progressive rock music.
A superb early live album from the Strawbs, allowing Rick Wakeman the most latitude to demonstrate his abilities he ever received during his brief time with the band.