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After nearly 10 years as Argo, the name of Chess Records’ jazz imprint was supposed to be the only thing about it that changed. But as Cadet Records assumed its new identity in the mid-’60s, the influence of the dawning psychedelic era, a boom of recording technology advances and, crucially, the arrival of a cadre of eager artists and brilliant producers put the label on a new, bewildering course to greatness. Tragic circumstances would bring about the label’s unraveling almost as rapidly as its meteoric rise, but not before Cadet released some of most audacious, boundary-pushing jazz, soul, blues and rock albums of the ’60s and ’70s — music that’s inspired generations of superstars, DJs and cratediggers ever since.

After nearly 10 years as Argo, the name of Chess Records’ jazz imprint was supposed to be the only thing about it that changed. But as Cadet Records assumed its new identity in the mid-’60s, the influence of the dawning psychedelic era, a boom of recording technology advances and, crucially, the arrival of a cadre of eager artists and brilliant producers put the label on a new, bewildering course to greatness. Tragic circumstances would bring about the label’s unraveling almost as rapidly as its meteoric rise, but not before Cadet released some of most audacious, boundary-pushing jazz, soul, blues and rock albums of the ’60s and ’70s — music that’s inspired generations of superstars, DJs and cratediggers ever since.

This is the larger and most versatile part of the Verve Jazzclub Collection. You will discover the "trendy" side of jazz. More than 20 hours with innovative arrangements and remixes with rock, pop, soul, dance or lounge flavor. Also rare portrait and thematic albums with jazz masters. Welcome once more to the jazz paradise of Verve.

This is the debut album by a relatively obscure Chicago-based group whose membership can be linked to various other Chicago-area groups who have wider name recognition, including the Rotary Connection, Lovecraft (formerly H.P. Lovecraft), and New Colony Six. Highly consistent conceptual record with its prime focus going towards soul flavored psychedelic rock. But features a mixture of high quality songwriting, sound effects and musicianship. Should be credited as one of the finest U.S. psych records!

Occasional Rain is the 1972 album by Terry Callier. Originally released on Cadet, this was the follow-up to What Color Is Love and produced by Charles Stepney, who worked with his group Rotary Connection featuring Minnie Riperton (who appears on this album) and later with Earth, Wind & Fire. This was remastered and reissued in 1998 by MCA Europe.

For fans of My Ideal Bookshelf and Bibliophile, The Call Me Ishmael Phone Book is the perfect gift for book lovers everywhere: a quirky and entertaining interactive guide to reading, featuring voicemails, literary Easter eggs, checklists, and more, from the creators of the popular multimedia project.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.