Two jazz legends team up for an unforgettable and moving album of classic spirituals. Bassist Charlie Haden and the late pianist Hank Jones, follow up their 1995 classic duet recording Steal Away, with this album of great songs of power, including Duke Ellington s famous Come Sunday. Come Sunday was a last collaboration between these two longtime friends and colleagues. Hank Jones died in 2010 at the age of 91, shortly after completing this album. Jones is considered the consummate jazz pianist and renowned as a soloist, accompanist, composer and arranger.
The premier ensemble of Radical Jewish Culture, Masada is one of Zorn’s most popular, personal, long-lasting, and powerful projects. Here you find the mother lode—the long-awaited Tzadik release of the original quartet’s first studio recordings.
Some of the most exciting piano jazz ever recorded – featured here on all of the Blue Note and Bethlehem recordings by the Herbie Nichols Trio! Nichols' heavy handed style is amazing throughout, and the record explodes with energy unheard of on other trio sessions from the time! The first 2/3 of the CD feature material from Nichols' Prophetic Herbie Nichols 10" albums on Blue Note – recorded in 1955, and featuring either Max Roach or Art Blakey backing Herbie up – on titles that include "Chit Chatting", "The Gig", "Terpsichore", "Spinning Song", "Mine", "House Party Starting", "Hangover Triangle", and "Query".
In what appears to be the first Herbie Nichols compilation of its kind, Lone Hill Jazz presents each and every master take recorded by the Herbie Nichols Trio for both the Blue Note and Bethlehem labels between May 1955 and November 1957. Here Nichols acted in collaboration with bassists Al McKibbon, Teddy Kotick, and George Duvivier, and drummers Art Blakey, Max Roach, and Dannie Richmond; such percussive support was important because one very special aspect of Nichols' music is the manner in which the drummer often carries portions of the melodic line.
As an introduction to the music of the Brazilian composer Villa-Lobos, you can't really do better than this little masterwork which is the toccata from his Bachiana Brasileira No. 2. It was inspired by a ride that Villa-Lobos took in 1931 on just such a train that was transporting berry-pickers and farm laborers between villages…(Jean-Yves Duperron)