Sufi Cosmology

Galaxies [Audiobook]  Audiobooks

Posted by tarantoga at Aug. 6, 2024
Galaxies [Audiobook]

Or Graur, Tom Perkins (Narrator), "Galaxies (The MIT Press Essential Knowledge series)"
English | ISBN: 9798874826390 | 2024 | MP3@64 kbps | ~03:10:00 | 87 MB
Dhafer Youssef & Wolfgang Muthspiel - Glow (2007) {Material Records MRE 019-2}

Dhafer Youssef & Wolfgang Muthspiel - Glow (2007) {Material Records MRE 019-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 251 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 300 dpi (png) -> 34 Mb | 5% repair rar
© 2007 Material Records | MRE 019-2
Jazz / World Jazz / Post Bop / Ethnic Jazz / Worldbeat

Although it's a dual-leader album, in which oud player Dhafer Youssef's performance is at least as important as that of guitarist Wolfgang Muthspiel, one of Glow's chief causes for celebration is Muthspiel's on-form presence. After releasing the shimmeringly beautiful Bright Side (Material Records, 2006)—a little-known masterpiece which may yet take its place alongside such jazz guitar iconographs as Johnny Smith's Moonlight In Vermont (Roulette, 1953, reissued 2004) and Wes Montgomery's Incredible Jazz Guitar (Riverside, 1960)—Muthspiel's project with drummer Brian Blade, Friendly Travelers (Material Records, 2007), was a disappointment, interesting in conception but not entirely convincing in execution.
David Helbock with Raphael Preuschl & Reinhold Schmölzer - Into the Mystic (2016) [Official Digital Download 24/88]

David Helbock with Raphael Preuschl & Reinhold Schmölzer - Into the Mystic (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 57:00 minutes | 1,04 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

“Musicians can’t really invent anything completely new,” says the 32-year old Austrian-born pianist David Helbock. “What we can do is to take ideas, and add something of ourselves. When things are working well, what emerges from that is something really exciting.” Helbock belongs to the generation of jazz musicians who are heading off in their own individual directions, pushing the boundaries, radically re-configuring our understanding of what old and new music is, re-aligning composition and improvisation, and challenging common pre-conceptions about style and personality.