Summer o Love

The Donna Summer Anthology is a double compilation album by the American singer Donna Summer, released by Polygram Records in 1993. The compilation featured the majority of Summer's best known songs right from the start of her success to the present day. Summer had originally made her name during the disco era in the 1970s and in the decade that followed had experimented with different styles. Most of the tracks on this compilation are the original album versions of the songs, which were sometimes edited down for their release as a single. Included for the first time are two remixed tracks from her then previously unreleased I'm a Rainbow album, which had been recorded in 1981 but had been shelved by her record company at the time.

Released in 2014 with support from Bruce Sudano, Donna Summer's husband and collaborator, this box set of U.K. origin has a slightly misleading title. Donna: The CD Collection sounds like it should be all-encompassing, an anthology of every studio album Summer released from the mid-'70s through the late 2000s…

In the late '80s, the Mike Stock/Matt Aitken/Pete Waterman team was as important to European dance-pop as Giorgio Moroder and Pete Bellotte had been to Euro-disco in the late '70s. Many pop critics hated Stock/Aitken/Waterman's slick, high-gloss approach with a passion, but what critics like and what the public buys are often two different things – and the British team had the Midas touch when it came to Dead or Alive, Samantha Fox, Rick Astley, and other '80s favorites. So, for Donna Summer, working with them was a logical decision when, in 1989, she made a temporary return to a Euro-dance-pop setting.

In 1991 all living original Beach Boys members (except Brian Wilson, still under the care of his abusive psychologist Gene Landy) returned to the studio with Terry Melcher to record their follow-up to “Kokomo” with the album Summer in Paradise. This marked the first and only Beach Boys studio album that Brian Wilson had no participation in whatsoever. Produced entirely on a Macintosh Quadra computer, Summer in Paradise was recorded using a Beta version of Pro Tools with a rhythm section that was almost entirely synthesized. Despite its effort to be “the quintessential soundtrack of summer” the album quickly turned into an unmitigated disaster: musically, lyrically, and commercially. Al Jardine was suspended from the band in the early stages of the recording due to a “severe attitude problem,” however he was reinstated in final weeks leading up to the completion the project.