Sunier

Blue Chamber Quartet - Chick Corea: Children's Songs
EAC+LOG+CUE | FLAC: 181 MB | Full Artwork: 107 MB | 5% Recovery Info
Label/Cat#: Stockfisch Records # SFR 357.4067.2 | Country/Year: Germany 2009 | 5% Recovery Info
Genre: Jazz, Classical | Style: Contemporary Jazz, Chamber Music

"…The music works beautifully in this arrangement by group member Thomas Schindl, scored for piano, harp, vibraphone, and double bass, along with a part for guest percussionist Sven von Samson. The colorful and unusual instrumentation creates an even broader expressive palette than the piano version, and the evocative percussion atmospherics that surround some of the pieces add about 10 minutes to the total duration of the suite. The playing is delicate and spirited throughout, and the sound quality of the SACD is balanced and detailed." ~allmusicguide

Blue Chamber Quartet - Chick Corea: Children's Songs
SACD ISO (2.0/MCH): 2,36 GB | Full Artwork
Label/Cat#: Stockfisch Records # SFR 357.4067.2 | Country/Year: Germany 2009 | 5% Recovery Info
Genre: Jazz, Classical | Style: Contemporary Jazz, Chamber Music

"…The music works beautifully in this arrangement by group member Thomas Schindl, scored for piano, harp, vibraphone, and double bass, along with a part for guest percussionist Sven von Samson. The colorful and unusual instrumentation creates an even broader expressive palette than the piano version, and the evocative percussion atmospherics that surround some of the pieces add about 10 minutes to the total duration of the suite. The playing is delicate and spirited throughout, and the sound quality of the SACD is balanced and detailed." ~allmusicguide

Blue Chamber Quartet - Chick Corea: Children's Songs
SACD ISO (2.0/MCH): 2,36 GB | 24B/88,2kHz Stereo FLAC: 712 MB | Full Artwork
Label/Cat#: Stockfisch Records # SFR 357.4067.2 | Country/Year: Germany 2009 | 5% Recovery Info
Genre: Jazz, Classical | Style: Contemporary Jazz, Chamber Music

"…The music works beautifully in this arrangement by group member Thomas Schindl, scored for piano, harp, vibraphone, and double bass, along with a part for guest percussionist Sven von Samson. The colorful and unusual instrumentation creates an even broader expressive palette than the piano version, and the evocative percussion atmospherics that surround some of the pieces add about 10 minutes to the total duration of the suite. The playing is delicate and spirited throughout, and the sound quality of the SACD is balanced and detailed." ~allmusicguide

Blue Chamber Quartet - Chick Corea: Children's Songs
EAC+LOG+CUE | FLAC: 181 MB | Full Artwork: 107 MB | 5% Recovery Info
Label/Cat#: Stockfisch Records # SFR 357.4067.2 | Country/Year: Germany 2009 | 5% Recovery Info
Genre: Jazz, Classical | Style: Contemporary Jazz, Chamber Music

"…The music works beautifully in this arrangement by group member Thomas Schindl, scored for piano, harp, vibraphone, and double bass, along with a part for guest percussionist Sven von Samson. The colorful and unusual instrumentation creates an even broader expressive palette than the piano version, and the evocative percussion atmospherics that surround some of the pieces add about 10 minutes to the total duration of the suite. The playing is delicate and spirited throughout, and the sound quality of the SACD is balanced and detailed." ~allmusicguide

Benda was headquartered in Berlin and his lifetime encompassed the latter three-quarters of the 18th century. He was one of those who ws fairly well known in his time — especially for his stage works — but is all but forgotten today. His harpsichord concertos received considerable attention during his life. They show the attributes of works composed during the time that the Baroque period was winding down and the Classical period opening. Benda did not just label these as just keyboard concertos but was specific that they were for the harpsichord, which was an important member of the Baroque orchestra.

Wolfgang Amadeus Mozart - The Last 6 Symphonies
Philharmonia Orchestra / New Philharmonia Orchestra - Otto Klemperer
3xSACD | ISOs (2.0): 6,52 GB | 24B/88,2kHz Stereo FLAC: 2,90 GB | Full Artwork
Label/Cat#: EMI Classics # 50999 9 55932 2 | Country/Year: Europe 2012 (1956-1962) | 5% Recovery Info
Genre: Classical | Style: Viennese School, Orchestral, Historical Recording

"…This is what might be called big band Mozart, with none of the modern early music refinements coming into play as in the cycles of Pinnock or Hogwood. This is Mozart on modern instruments in a large-sized orchestra – not just 40 musicians like some so-called “authentic” recordings. On the other hand, Klemperer has a different approach to this music that he obviously adored and was fully familiar with. While cycles by Mackerras, Bohm, Karajan, Bruno Walter and others may compete in some ways, Klemperer’s efforts stand up amazingly well now that one can hear details in the recordings which were never exposed before except in the mastering studio." ~audiophile-audition

"…[Turkish-American composer] Kamran Ince (b. 1960) mixes such diverse elements as medieval compositional techniques, Middle Eastern folk music, Bach chorales, wild percussion, tone clusters, and the styles of late Romanticism as well as modern Russia. He also drops nontraditional instruments, such as electric guitar, electric bass, and synthesizer, into the normal symphony orchestra. Yet this very pictoral and striking music could not be called avant-garde; it communicates instantly and clearly in a language quite its own. Ince not only attempts to depict the sound of pounding waves in one section of his lovely piano concerto 'Remembering Lycia', but also wittily portrays 'speeches' by the emperor of Constantinople and the Turkish conqueror in his five-movement symphony about the 15th-century 'Fall of Constantinople'."