Tales from the Earth by flutist, Mark Weinstein and pianist/vibraphonist, Omar Sosa, is one of the most extraordinary musical expeditions in a long time. The need for a subtext is not necessary; the extraordinary depth and ethereal beauty of the music would suffice. Nevertheless, once that subtext becomes evident, then the music touches parts of the body that much music might not. There is really no beginning and no end; this musical continuum needs only be entered with eyes wide shut and ears open; listening with the heart, soul, and every pore of the being is essential.
Ketil Bjørnstad previously explored the life of Edvard Munch in his acclaimed 1993 novel Historien om Edvard Munch. When invited to compose music for choir in 2011 his thoughts turned once again to Munch and to the writings, still not widely known, of the proto-Expressionist Norwegian painter. With these as his guide, Bjørnstad shaped Soloppgang (“Sunrise”) subtitled “A cantata on texts by Edvard Munch”. In his liner notes, Bjørnstad observes that “the texts written by Munch can be compared to his paintings in their power and intensity.
He wanted to be a writer as well as a painter… texts from different periods in Munch’s life have been used in Sunrise. They all portray existentialist dilemmas: surviving or being destroyed, believing or observing”…