Super+funk

The Godfather Of Soul, James Brown was a prolific singer, songwriter and bandleader, as well as one of the most iconic figures in funk and soul music, as evidenced on new collection Super Bad Live!

Following on from two very well-received singles in 2020, "Kool Funk" and "Open Line to Me", which were heavily supported by the BBC and taste making media around UK and Europe; Super db released another single "Wait For Me" on 7th May 2021 working for the first time with an array of successful independent labels including Legere Recordings (GSA), Go Entertainment (Benelux), and P-Vine Records (Japan). In May 2021, Super db sadly announced the untimely and sudden death of their much loved founding member, Matt Dibble. In Matt's honour, the remaining band members continue to be dedicated to sharing and promoting the music they made together and vitally shall maintain the positive vibes and lust for life that Matt always brought to the project and life in general. "Ecoute Ca" represents everything that 4 piece loved to create as a unit and its release is now as significant as ever. Their sophomore album 'Ecoute Ca' was out on July 2nd 2021.

Killer selection of boogie-disco and early electro templates from a golden, foundational era of Afro Futurist space exploration.

Freddie Hubbard - Super Blue (1978) {Mosaic Contemporary MSC5001 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 410 Mb | MP3 @320 -> 150 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24-bit remaster
© 1978, 2007 Mosaic Records / Mosaic Contemporary / Sony BMG Music | MSC 5001 / A702943
Jazz / Post Bop / Jazz Funk / Soul Jazz / Groove / Trumpet

Freddie Hubbard's Super Blue, finally available on CD, is a minor classic—overlooked, perhaps, because it lies in the long shadow of the titan trumpeter's earlier output, or because it was recorded in the middle of a lackluster phase at Columbia. But Blue is a late-summer sleeper. Reassembling some of the best talent from his CTI dates—Joe Henderson (tenor), Hubert Laws (flute), Ron Carter (bass), Jack DeJohnette (drums) and George Benson (guitar), plus Kenny Barron (acoustic and electric keyboards), a jam-mate from Hubbard's groups of the later 1960s—the session proves that commercial accessibility can coexist with high artistic standards.