SUSTO has been given many labels - Americana, alt-country, southern folk, indie rock, even gospel and though none of these descriptions are inaccurate, they only provide part of the picture. Bandleader and songsmith Justin Osborne’s lyrics bring the full picture into view. He weaves catchy hooks into honest storytelling, utilizing gothic imagery, wry humor, and social commentary to convey his confessional tales. His gravelly, pitch- perfect voice is the ideal vehicle to bring these heartfelt expressions to the listener and the sincerity he exudes while performing is palpable. Pair that with perfectly nuanced folk-rock instrumentation, and SUSTO remains in a genre all its own.
Reissue with the latest DSD remastering. Comes with liner notes. A great album of funky Japanese fusion – one of the few sets from the Japanese scene of the late 70s that got any sort of wider release in the US – and a treasure that we've loved for years! The set's got a really great sound – soulful and funky, but sharp too – in a lineup that features a variety of keyboards from Masabumi Kikuchi, plus work by Terumasa Hino on trumpet, Steve Grossman and Dave Liebman on saxes, and James Mason on guitar! The best cuts have a funky feel that's in the CTI/Kudu mode – perhaps mixed with a bit of Herbie Hancock keyboard jamming – and the album's a surprisingly lost funky gem in the Columbia catalog of the early 80s, with a much harder edge than some of the other work on the label at the time!