“Not a lot of people talk about the true origins of bluegrass music, but it came from Black people. The banjo, the washtub, all that stuff started with African Americans. We were playing it before it even had a name.” - Swamp Dogg
“Not a lot of people talk about the true origins of bluegrass music, but it came from Black people. The banjo, the washtub, all that stuff started with African Americans. We were playing it before it even had a name.” - Swamp Dogg
“Not a lot of people talk about the true origins of bluegrass music, but it came from Black people. The banjo, the washtub, all that stuff started with African Americans. We were playing it before it even had a name.” - Swamp Dogg
Jerry Williams’—aka Swamp Dogg—first love was country music, listening to it as a Navy family kid growing up in Portsmouth, Virginia. “My granddaddy, he just bought country records out the asshole,” Swamp remembers. “Every Friday when he came home from the Navy yard he’d stop off and get his records, like ‘Mule Train’ by Frankie Laine, or ‘Riders in the Sky’ by Vaughn Monroe.” His first time performing on stage, in fact, was a country song at a talent show when he was six years old: “I did Red Foley’s version of ‘Peace in the Valley.’”
2CD set best of the 6 albums he released on the Monument and Warner Brothers labels, incl Polk Salad Annie, Willie & Laura Mae Jones, Rainy Night in Georgia, Five Summers For Jimmy & more. 42 tracks. Tony Joe White was an American singer-songwriter and guitarist, best known for his 1969 hit "Polk Salad Annie" and for "Rainy Night in Georgia", which he wrote but was first made popular by Brook Benton in 1970. He also wrote "Steamy Windows" and "Undercover Agent for the Blues", both hits for Tina Turner in 1989; those two songs came by way of Turner's producer at the time, Mark Knopfler, who was a friend of White. "Polk Salad Annie" was also recorded by Elvis Presley and Tom Jones.
The buckle-polishers and skirt-swirlers are back! Presenting 28 rare goodies from Louisiana and South East Texas. The variant of rock’n’roll that emanated from the Gulf Coast of South Louisiana and South East Texas in the 1950s-60s is as evocative of the area as chicken gumbo, crawfish étouffée and red beans and rice. The youthful Cajuns of the period threw themselves into r’n’r like teenagers across the globe, but had additional influences, not just the hillbilly and blues that created rockabilly, but the ethnic music of their parents and, most telling, the R&B sounds carried over the airwaves from New Orleans.
Back in 2001, The Psychedelic Swamp seemed an appropriate name for the debut cassette from psychedelic pranksters Dr. Dog, but some 15 years later the title seems even more fitting given that the band decided to revisit, rework, and re-jigger the entirety of the album to create a brand-new album for 2016. It's not quite right to say Dr. Dog cover themselves here. Rather, they reconnect with the ideas originally essayed in 2001 and approach those ideas with the skill and panache they've developed in the ensuing 15 years.