From the release of their first album in 1974, Bad Company were one of the biggest hard rock bands of the '70s. Featuring former members of Free (vocalist Paul Rodgers and drummer Simon Kirke), Mott the Hoople (guitarist Mick Ralphs), and King Crimson (bassist Boz Burrell), Bad Company's straightforward but swaggering attack earned them a steady run of hits. While Bad Company never released a live album with their classic lineup, Atlantic/Rhino Records has delivered something special for the group's fans.
Led Zeppelin returned from a nearly two-year hiatus in 1975 with the double-album Physical Graffiti, their most sprawling and ambitious work. Where Led Zeppelin IV and Houses of the Holy integrated influences on each song, the majority of the tracks on Physical Graffiti are individual stylistic workouts…
Houses of the Holy follows the same basic pattern as Led Zeppelin IV, but the approach is looser and more relaxed. Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere…
Released two years after the 1980 death of John Bonham, Coda tied up most of the loose ends Led Zeppelin left hanging: it officially issued a bunch of tracks circulating on bootleg and it fulfilled their obligation to Atlantic Records…
Created at a time of intense turmoil for Led Zeppelin – they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 – Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines – he recorded many of the vocals while in a wheelchair – Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog…
Marshalling their strength after the dark interlude of Presence – a period that extended far after its 1976 release, with the band spending a year in tax exile and Robert Plant suffering another personal tragedy when his son died – Led Zeppelin decided to push into new sonic territory on their eighth album, In Through the Out Door. A good deal of this aural adventurism derived from internal tensions within the band…