Hector Zazou invites four outstanding instrumentalists from India and Uzbekistan to step into a virtual hall of mirrors, in which sound is reflected from one note to another: an aural equivalent of a famous scene in Orson Welles' The Lady From Shanghai.
Twenty-five years after laying the foundations for Afro-electronic fusion (with Congolese singer Bony Bikaye on the “Noir & Blanc” LP), and after many other groundbreaking albums, the ever-innovative Hector Zazou offers a fresh take on classical Asian music, in which the musicians' inspired performances are enhanced by his subtle reprocessing of the original sonic elements (no supplementary electronic sounds having been used)…
A curious and totally uncontrolled musical collective from late 70s German Underground. Their unique musical universe includes Bucolic, semi theatrical hypno-ish sound ritualism and others tripped out free-rockin improvs. Sounds like a jam meeting session between Clark Hutchinson, Flute & Voice and some krauty experiments from Dom, Sergius Golowin.