Hector Zazou invites four outstanding instrumentalists from India and Uzbekistan to step into a virtual hall of mirrors, in which sound is reflected from one note to another: an aural equivalent of a famous scene in Orson Welles' The Lady From Shanghai.
Twenty-five years after laying the foundations for Afro-electronic fusion (with Congolese singer Bony Bikaye on the “Noir & Blanc” LP), and after many other groundbreaking albums, the ever-innovative Hector Zazou offers a fresh take on classical Asian music, in which the musicians' inspired performances are enhanced by his subtle reprocessing of the original sonic elements (no supplementary electronic sounds having been used)…
Composer, arranger, and producer Hector Zazou released a string of relentlessly inventive albums between 1983 and 2008. On the last of these, IN THE HOUSE OF MIRRORS, Zazou collaborated with Swara, an Indian-Uzbeki group who re-envision the classical music of the Middle East and South Asia. As with Zazou's previous projects, consummate craftsmanship and postmodern production techniques are clearly evident, yet IN THE HOUSE OF MIRRORS is devoid of jarring juxtapositions or clever devices.