Sweet And Vicious

Having endured the loss of yet another bandmember with the passing of original bassist Leon Wilkeson, Skynyrd picks up the pieces yet again and delivers the goods the way only it can. Lyrically, the band hasn't stretched out its list of topics in any new directions, but quite honestly, who cares? This is Skynyrd. This isn't music to study to or scratch your chin by – this isn't the soundtrack to relaxing nights sipping instant coffee and talking about deep feelings. This is homegrown music that's about partying and rock & roll, with a little bit of contemplative soul-searching mixed in for good measure. The music is still top-notch, probably the best it's been since the early '90s.

Tymepiece's sole full-length platter is a competent but kinda dullsville slab of early-'70s album-oriented rock, mixing hard rock, progressive rock, and singer/songwriter-type material. There's a slightly macho soul-rock feel to some of the songs, like "I Love, You Love," as well as organ-guitar interplay influenced by some of the leading British bands of the time. Tracks like the title cut and "Won't You Try" are more in the style of the folk-rock singer/songwriters of the era. Neither the mellow nor harder-edged faces of the group offer compelling songs, however, even though they might have stood out more in their native Australia by virtue of having to compete in a far less crowded field of likeminded homegrown bands than counterparts in the U.S. and U.K. did…

In October 1990, Lou Reed interviewed Vaclav Havel, playwright, poet, president of the newly emancipated Czechoslovakia, and – surprisingly? – a Velvet Underground fan. During the course of their conversation, Havel handed Reed a book. "These are your lyrics, hand-printed and translated into Czechoslovakian. There were only 200 of them. They were very dangerous to have. People went to jail." Nobody will go to jail for owning Between Thought and Expression, but Reed's lyrics remain dangerous – not, as in Communist Czechoslovakia, for what they are, but for what they say…

Live At Alice Tully Hall - January 27, 1973 - 2nd Show captures Lou Reed’s New York City live debut as a solo artist, at the Lincoln Center venue during his Transformer tour. He was backed by The Tots, a tight, funky, twin-guitar combo whose gritty bar-band approach offered an energized accompaniment to Reed’s material, whether that was the Velvets (“Heroin,” “Sweet Jane”) or songs from his first two solo albums, Walk On The Wild Side and Vicious. Mixed from the original multi-track tapes by Matt Ross-Spring, these fourteen live tracks are available for the first time, released first on RSD Black Friday on two LPs pressed on burgundy vinyl and packaged with a new essay by Ed McCormack, rare pictures and memorabilia.

Driven by a vicious and visceral soul, The Buttshakers are known for their fierce and fiery music: turntables steam from the heat of their records, dance floors buckle under the blistering pressure of their infectious grooves, a group with a burning Midas’ touch.