Sweetsavy_19

Learn about the medical steps and emergencies to protect your family form coronavirus ( COVID-19 ) infection.

This book provides an inclusive and comprehensive discussion of the transmission, science, biology, genome sequencing, diagnostics, and therapeutics of COVID-19. It addresses almost every topic that has been studied so far in the research on SARS-CoV-2 to gain insights into the fundamentals of the disease and mitigation strategies.

This upcoming weekend, the Dead & Company’s third annual “Playing in the Stand” concert vacation takes place in Riviera Cancun, Mexico, stretching from January 16 – 20. To celebrate the impending event, Rhino has just released the three “Playing in the Sand” shows from January 2019.

Dead and Company wrapped up their second show of their Playing in the Sand 2019 destination festival down in Riviera Maya in Mexico last night. The group features original Grateful Dead members of Bob Weir, Mickey Hart and Bill Kreutzmann and once again they’re joined on stage with John Mayer, Jeff Chimenti and Oteil Burbridge for the 2019 shows and tours.

It is the opera that launched the International Handel Festival in Göttingen in 1920: Rodelinda by George Frideric Handel. With its performance, festival founder Oskar Hagen initiated the Handel renaissance in Göttingen. After the festival had to be cancelled for its 100th anniversary in 2020 due to corona, Rodelinda came to the stage of the Deutsches Theater on 9 September 2021.

Formed in 1987 by Fruitbat and Jim Bob, Carter The Unstoppable Sex Machine burst onto the scene with their signature style of indie punk-rock pop infused with samples, drum machines, and social commentary. Recorded on tour in 1993 in support of their UK Top 5 album ‘Post Historic Monsters’, this new live album captures the band at the height of their powers. The 19-song setlist includes blistering performances of recent singles ‘Lenny And Terence’ and ‘Lean On Me I Won’t Fall Over’ along with Carter classics ‘The Only Living Boy In New Cross’ and ‘Bloodsport For All’ (also listen out for James Atkin from EMF on some guest guitar spots). Recently discovered in the archives, the show has been newly mixed from the original tapes by Les ‘Fruitbat’ Carter and Dave Draper.

Born Don Vliet, Captain Beefheart was one of modern music's true innovators. The owner of a remarkable four-and-a-half-octave vocal range, he employed idiosyncratic rhythms, absurdist lyrics, and an unholy alliance of free jazz, Delta blues, latter-day classical music, and rock & roll to create a singular body of work virtually unrivaled in its daring and fluid creativity. While he never came even remotely close to mainstream success, Beefheart's impact was incalculable, and his fingerprints were all over punk, new wave, and post-rock. Don Vliet was born January 15, 1941 in Glendale, CA (he changed his name to Van Vliet in the early '60s). At the age of four, his artwork brought him to the attention of Portuguese sculptor Augustinio Rodriguez, and Vliet was declared a child prodigy.

Learn about the structure, genetics, clinical aspects, treatment, and vaccinology of the SARS-Cov-2 and COVID-19