Thelonious Monk (piano/arranger) began his illustrious relationship with Riverside Records on the pair of July 21 and 27, 1955, dates needed to complete the eight sides for Plays Duke Ellington (1955). Monk commands a trio that also presents the talents of Oscar Pettiford (bass) and Kenny Clarke (drums) on all the tracks sans "Solitude," which appropriately enough features an unaccompanied piano. The delicacy and inherently intricate melodies that Duke Ellington is best known for are perfectly matched to Monk's angular and progressive interpretations…
This collection of Ellington's Thirties recordings is generous in that it offers 95 selections and meagre in that there is no discographical information at all (no recording dates, no personel, no matrix numbers). The liner notes give some information but leave one pining for more too. There the criticism ends. Audio restoration by Dutchman Harry Coster (who is attached to the Dutch Jazz Archive and has an outstanding reputation for painstaking restoration of old material) is beyond reproach and the recordings never sounded so good before. And of course there is the music itself, which is formidable, both in musical content and in execution by that peerless group of proud individuals that constituted the Duke Ellington orchestra…
Greatest all-round musical figure of the 20th century, who achieved monumental status as a composer, bandleader, arranger, and instrumentalist. Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. The two aspects of his career were related; Ellington used his band as a musical laboratory for his new compositions and shaped his writing specifically to showcase the talents of his bandmembers, many of whom remained with him for long periods. Ellington also wrote film scores and stage musicals, and several of his instrumental works were adapted into songs that became standards. In addition to touring year in and year out, he recorded extensively, resulting in a gigantic body of work that was still being assessed a quarter century after his death.
The Genius of Duke Ellington, bandleader extraordinaire, pianist and greatest American composer of the 20th century is celebrated in the 93 ducal masterpieces featured in this 4 CD box set. Ellington's achievements as composer, arranger, pianist and bandleader touch a bewildering variety of levels, producing music that has never been surpassed, music that has been a constant inspiration to numerous other musicians, and those who truly appreciate Ellington's achievements.
One might think this disc would focus on the more romantic side of the Ellington-Strayhorn catalog. But don't let the title fool you. Mathias Ruegg's large band gives tunes like "Red Garter" and "Smada" a playful, blasting treatment. Particularly noteworthy is the transformation of "Mood Indigo" into something of a drunkard's lament, with a deep, wobbling trombone line. It's a labor of love that some Ellington purists might find a bit appalling, but it deserves kudos for its new approach.
Jazz pianist Beegie Adair's series of "romantic songs" songbook albums, devoted to the major songwriters of the interwar era (there are also titles for George Gershwin, Hoagy Carmichael, Irving Berlin, and Richard Rodgers), tend to have photographs of affectionate couples on the covers, as does this one, featuring the music of Duke Ellington. That's a signal that the recordings are intended to accompany the listeners on their own romantic adventures, as much as express the feelings of the songwriters.
This collection presents a personal favourite selection of popular ballads and romantic pieces of work taken from various periods of Ellington's career. They are moody, haunting, happy, sad, all are beautiful and moving and represent the mellow, soulful side of Duke Ellington.