The second season of the science fiction television series The X-Files commenced airing on the Fox network in the United States on September 16, 1994, concluded on the same channel on May 19, 1995, after airing all 25 episodes. The series follows Federal Bureau of Investigation special agents Fox Mulder and Dana Scully, portrayed by David Duchovny and Gillian Anderson respectively, who investigate paranormal or supernatural cases, known as X-Files by the FBI.
The second season of The X-Files takes place after the closure of the department following the events of the first season finale. In addition to stand-alone "Monster-of-the-Week" episodes, several episodes also furthered the alien conspiracy mythology that had begun to form. Season two introduced several recurring characters—X (Steven Williams), an informant to Mulder; Alex Krycek (Nicholas Lea), Mulder's partner-turned-enemy; and the Alien Bounty Hunter (Brian Thompson), a shape-shifting assassin.
My admiration for Horenstein’s tireless championship of Bruckner and Mahler in Britain has always been tempered by what I actually hear on the recordings that have been preserved, whether live or in the studio. While his dedication is never in question, Horenstein had a serious interpretive weakness that manifests itself in virtually everything he did: an inability or refusal to make necessary tempo adjustments, particularly in sonata form first movements and finales. This habit, combined with a certain nervousness that sometimes gives an unwelcome sense of haste to slow passages, mars much of what would otherwise be a major achievement, from the first movement of Mahler’s Third and the “Abschied” finale of Das Lied von der Erde, to the second movement of Nielsen’s Fifth.