Beginning with the 1975 landmark Electronic Realizations for Rock Orchestra, Synergy explored the possibilities inherent in synthesizer/sequencer technology and digital-studio production techniques, resulting in some of the most inventive electronic music of the '70s. It was mostly the work of synthesizer expert Larry Fast, who also brought electronics to the mainstream by coordinating synthesized passages for dozens of pop acts during the '70s and '80s, including Yes, Peter Gabriel, Meatloaf, John Denver, Barbra Streisand, Hall & Oates, Kate Bush, Foreigner, and Randy Newman.
Recording as Synergy, Fast debuted in 1975 with Electronic Realizations for Rock Orchestra. The album became a surprise favorite with progressive radio, and was hailed by synthesizer pioneer Robert Moog as the most important recording to date using his Moog synthesizer…
Beginning with the 1975 landmark Electronic Realizations for Rock Orchestra, Synergy explored the possibilities inherent in synthesizer/sequencer technology and digital-studio production techniques, resulting in some of the most inventive electronic music of the '70s. It was mostly the work of synthesizer expert Larry Fast, who also brought electronics to the mainstream by coordinating synthesized passages for dozens of pop acts during the '70s and '80s, including Yes, Peter Gabriel, Meatloaf, John Denver, Barbra Streisand, Hall & Oates, Kate Bush, Foreigner, and Randy Newman.
Recording as Synergy, Fast debuted in 1975 with Electronic Realizations for Rock Orchestra. The album became a surprise favorite with progressive radio, and was hailed by synthesizer pioneer Robert Moog as the most important recording to date using his Moog synthesizer…
"Arctic Dreams" (2020) is both warmly seductive and intense—a work whose seven sections bloom with passion as they map a musical journey through landscapes real and imagined. George Grella wrote in the New York Classical Review, “Adams’s manner is that of Thoreau—to be in a place, incorporate it into his memory and values, and recreate that through music. It misses the point to say he is inspired by nature—Adams is changed by nature and his music is a catalogue of the places that changed him.” Alex Ross, music critic for The New Yorker, has called Adams “one of the most original musical thinkers of the new century.”
One of Steve Reich’s most famous and enduring works, Music for 18 Musicians first caught the attention of percussionist Colin Currie in the 1980s. Over the years that followed, Currie dutifully built his library of Reich scores and recordings, but it was this work in particular that truly captured his imagination, holding him in its epic grasp ever since.