This is the second album of The Jamaica Boys - a Queens based funk trio. Although marketed in rap circles, The Jamaica Boys were really more of a fusion trio with composer/multi-instrumentalist Marcus Miller, drummer Lenny White, and singer Mark Stevens combining forces. They made pleasant music, and occasionally Miller would come up with an inspired riff. But the most distinctive thing about this album in retrospect was the fact that Stevens was Chaka Khan's brother.
A rare joy to find such class in such an accessible format. Although one or two tracks struggle a little with the Spanish guitar as lead in a major orchestral work, the purity of his playing, combined with the superb production and choice of material make this an exceptional work.
Frankie Miller’s eighth solo album “Standing On The Edge” was his first away from the Chrysalis label and was also at that point his rockiest and most polished effort. The bar room backing or stripped back blues and soul of the earlier albums being replaced with a polished, sleek and far more rocky production. Musically and arrangement wise this was more akin to Bad Company, Foreigner or even Whitesnake than the old blues and soul feel of its predecessors…
Jane Ira Bloom on soprano sax. Allison Miller on drums. Recorded remotely from each player’s home studios, because that’s 2021 for musicians. Five Tuesdays in March and April bore the following fruit…