Tagada Jones Magnitude 13

…Featuring Norah Jones is a compilation album by American singer Norah Jones that was released on November 16, 2010, by Blue Note Records. The album includes songs by other artists on which Jones is featured, including songs by her side bands The Little Willies and El Madmo. The album includes "Here We Go Again", a duet with Ray Charles, which won the Grammy Award for Record of the Year in 2005. The song "Little Lou, Ugly Jack, Prophet John" by Belle & Sebastian had only been released one month prior to the release of this album on the group's October 2010 album Belle and Sebastian Write About Love.

The 16 songs inspire with their unique mix of warm acoustic sounds and subtle electronic refinements. Hand-picked guest singers such as Carolie Clément, Mike Francis, Jason Caesar, Emma Brammer and Zoe Dee give the Spring Summer Lounge a very special touch.
Piet Blank and Jaspa Jones - the producers known worldwide. For two they have let out already many albums and tens magnificent singles, reliably having fixed in world history of dancing music. Their hits more than once appeared at tops of charts, and each new album stably got to number 50 of the best to Germany.

"Schubert Reimagined," is a unique new album revitalising the music of Franz Schubert, featuring renowned cellist Josephine Knight, alongside the highly sought-after vocal group The Gesualdo Six, pianist Simon Crawford-Phillips and Timothy Jones on horn. The carefully curated repertoire includes the slow movement from Schubert's poignant String Quintet D.956, arranged for cello and The Gesualdo Six; the expressive Sonata for cello and piano in A minor 'Arpeggione' D. 821; and captivating Schubert songs delivered through innovative arrangements by Timothy Jones. The album showcases the unique blend of cello and horn, instruments with close proximity to the textures of the human voice, providing a natural musical partnership. With a special rendition of the iconic C major string quintet's slow movement featuring The Gesualdo Six, along with other masterpieces, Josephine Knight weaves a narrative that transcends traditional boundaries, creating a seamless amalgamation of singers and instrumentalists.

"Schubert Reimagined," is a unique new album revitalising the music of Franz Schubert, featuring renowned cellist Josephine Knight, alongside the highly sought-after vocal group The Gesualdo Six, pianist Simon Crawford-Phillips and Timothy Jones on horn. The carefully curated repertoire includes the slow movement from Schubert's poignant String Quintet D.956, arranged for cello and The Gesualdo Six; the expressive Sonata for cello and piano in A minor 'Arpeggione' D. 821; and captivating Schubert songs delivered through innovative arrangements by Timothy Jones. The album showcases the unique blend of cello and horn, instruments with close proximity to the textures of the human voice, providing a natural musical partnership. With a special rendition of the iconic C major string quintet's slow movement featuring The Gesualdo Six, along with other masterpieces, Josephine Knight weaves a narrative that transcends traditional boundaries, creating a seamless amalgamation of singers and instrumentalists.

"Schubert Reimagined," is a unique new album revitalising the music of Franz Schubert, featuring renowned cellist Josephine Knight, alongside the highly sought-after vocal group The Gesualdo Six, pianist Simon Crawford-Phillips and Timothy Jones on horn. The carefully curated repertoire includes the slow movement from Schubert's poignant String Quintet D.956, arranged for cello and The Gesualdo Six; the expressive Sonata for cello and piano in A minor 'Arpeggione' D. 821; and captivating Schubert songs delivered through innovative arrangements by Timothy Jones. The album showcases the unique blend of cello and horn, instruments with close proximity to the textures of the human voice, providing a natural musical partnership. With a special rendition of the iconic C major string quintet's slow movement featuring The Gesualdo Six, along with other masterpieces, Josephine Knight weaves a narrative that transcends traditional boundaries, creating a seamless amalgamation of singers and instrumentalists.

What can you expect but good things from a date featuring three players of such high pedigree. With Dave Holland and Elvin Jones representing the steadfast rhythm sections of old, and with Frisell's post-modern tones being among the finest voices moving jazz forward, a date like this should easily yield some classic moments. But Frisell comes up with only partial melodies and bare bones sketches for the band to play. Jones sounds at times utterly bored with his rhythm duties, desperate for a chance to stretch out. Frisell himself is often hesitant. Henry Mancini's "Moon River" and Stephen Foster's century-and-a-half old "Hard Times" together offer brief glimpses of levity, but cannot save the set entirely.