Reflecting the then recent association with Jimmy Cliff, this Gilberto Gil album opens with the reggae "Extra," in which he exorcises the powers of political obscurantism invoking the liberating forces of mysticism. "E Lá Poeira" anticipated the crossover pop/Northeastern music made successful in the world music of the '90s. "Mar de Copacabana" has the old Gil, composer of melodies full of a refreshing feeling but at the same time with the two feet rooted in the samba tradition. "A Linha E O Linho" could be a minor pop ballad if it weren't for the sensitive and indigenous lyrics solution, where he used the metaphor of sewing to talk about two people united by a deep love.
A hypothetical loomed over Devendra Banhart while he was writing Ma, one of those questions that changes your life no matter how you answer it. “I may not have a child,” he tells Apple Music, “and I thought, maybe I should make a record where I can put in everything I would want to say to them. And while doing that, you kind of realize, well, maybe it’s also everything I wish someone had said to me.” Building on 2013’s Mala and 2016’s Ape in Pink Marble, Ma finds Banhart continuing his evolution from freak-folk poster boy to one of the more subtle stylists in his field, touching on atmospheric bossa nova (“October 12”), string-saturated ballads (“Will I See You Tonight?”), and Velvet Underground-style folk-rock (“My Boyfriend’s in the Band”) in a way that feels playful but sophisticated, naive but self-possessed—the nature boy, housebroken but still alight with beautiful ideas. Amongst the songs are a handful of meditations on the plight of Venezuela, a country where Banhart spent most of his early years, and where much of his family still lives.