Talking Heads Little Creatures

Talking Heads fans have been waiting a long time to have the band's eight studio albums remastered and reissued, but they may find that the long-awaited revamping of the group's catalog is somewhat problematic. Instead of being released as individual titles, all eight titles were boxed and reissued as an expensive set, Talking Heads Brick (this box retails for $149.99; individual releases are tentatively scheduled to follow, three to four months after this set's October 2005 release) – and they're not issued as CDs, they're only available as DualDiscs, a format that contains a CD on one side and a DVD on the other.

Talking Heads' 30th anniversary is commemorated in typically artful style here, sonically upgrading their eight, era-defining albums via bonus-packed Dual Discs and encasing them in a molded white plastic box intricately embossed with the band's song titles. Each disc contains complete album tracks and bonus cuts remastered in High Resolution Stereo on its CD side, while the DVD programming on the flip offers up the audio tracks in expansive new 5.1 Surround Sound mixes, with all of the sonic upgrading personally supervised by Jerry Harrison. Those long overdue audio improvements alone would make it an attractive set, but fans of the band will find its wealth of bonus music (various B-sides and previously unreleased outtakes) and video (including a number of rare live clips seeing their first release here) supplements equally intriguing.

Talking Heads' last proper studio album before their protracted breakup finds them returning to the dynamic that produced their best work, with inspired results. As swan songs go, Naked proves to be a pretty good one: Alternately serious and playful, it once again allows frontman David Byrne to worry about the government, the environment, and the plight of the working man as it frees up the rest of the band to trade instruments and work with guest musicians. It's closest in spirit to Remain in Light – arguably too close: The first side is a collection of funky, syncopated, almost danceable tunes; the second, a murky, darkly philosophical rumination on identity and human nature. The major difference is a Latin influence replacing Light's African rhythm experimentation, most evident on the album openers "Blind" and "Mr. Jones," as well as in drummer Chris Frantz's decision to use brushes and softer percussion instruments (as opposed the big beat sound he offered up on Little Creatures and True Stories).