Talking Heads

Released four years after the Talking Heads called it a day with 1988's Naked, Popular Favorites provides a thorough overview of one of the most important American bands of the '80s. From tightly wound early efforts such as "Psycho Killer" and "Don't Worry About the Government" to the seriously funky likes of "I Zimbra" and "Burning Down the House," David Byrne, Jerry Harrison, Tina Weymouth, and Chris Franz grew as musicians as they stretched the original concepts of the unit to the breaking point. Over the course of two discs and 32 selections, the anthology chronicles the Heads' development from Bowery art punks (albeit of the most civil stripe) to unlikely arena stars. A smattering of unreleased tracks and notes from the original quartet nicely flesh out the retrospective.

Talking Heads' 30th anniversary is commemorated in typically artful style here, sonically upgrading their eight, era-defining albums via bonus-packed Dual Discs and encasing them in a molded white plastic box intricately embossed with the band's song titles. Each disc contains complete album tracks and bonus cuts remastered in High Resolution Stereo on its CD side, while the DVD programming on the flip offers up the audio tracks in expansive new 5.1 Surround Sound mixes, with all of the sonic upgrading personally supervised by Jerry Harrison. Those long overdue audio improvements alone would make it an attractive set, but fans of the band will find its wealth of bonus music (various B-sides and previously unreleased outtakes) and video (including a number of rare live clips seeing their first release here) supplements equally intriguing.

Stop Making Sense is returning to theaters later this year, and now, the Talking Heads concert film is getting a shiny new soundtrack to go along with it. Rhino is issuing an updated deluxe edition on August 18th, complete with the film’s full setlist as well as two previously unreleased songs.

Palm Pictures is proud to present the 25th Anniversary Blu-ray premiere of the groundbreaking Talking Heads concert fi lm - STOP MAKING SENSE - directed by Academy Award® Winner, Jonathan Demme (Silence of the Lambs). STOP MAKING SENSE captures this legendary band in its prime, with their timeless music and unforgettable staging.

Talking Heads found a way to open up the dense textures of the music they had developed with Brian Eno on their two previous studio albums for Speaking in Tongues, and were rewarded with their most popular album yet. Ten backup singers and musicians accompanied the original quartet, but somehow the sound was more spacious, and the music admitted aspects of gospel, notably in the call-and-response of "Slippery People," and John Lee Hooker-style blues, on "Swamp." As usual, David Byrne determinedly sang and chanted impressionistic, nonlinear lyrics, sometimes by mix-and-matching clichés ("No visible means of support and you have not seen nothin' yet," he declared on "Burning Down the House," the Heads' first Top Ten hit), and the songs' very lack of clear meaning was itself a lyrical subject. "Still don't make no sense," Byrne admitted in "Making Flippy Floppy," but by the next song, "Girlfriend Is Better," that had become an order -- "Stop making sense," he chanted over and over. Some of his charming goofiness had returned since the overly serious Remain in Light and Fear of Music, however, and the accompanying music, filled with odd percussive and synthesizer sounds, could be unusually light and bouncy. The album closer, "This Must Be the Place (Naive Melody)," even sounded hopeful. Well, sort of. Despite their formal power, Talking Heads' preceding two albums seemed to have painted them into a corner, which may be why it took them three years to craft a follow-up, but on Speaking in Tongues, they found an open window and flew out of it.