Tamas Bodzsar

This set offers Chopin's most famous and best loved piano expertly played by Tamas Vasary.
Tamás Vásáry (born August 11, 1933, Debrecen, Hungary) is a Hungarian pianist. Vásáry gave his first public performances at the age of 8. He studied with Ernő Dohnányi and Józef Gát at the Franz Liszt Academy of Music in Budapest, and was later assistant there to Zoltán Kodály, who made him a gift of a Steinway piano.

Almost four hours of music constitutes exceptional value especially when, tucked away among a selection of Mazurkas, is Chopin's early "Variations on a German National Air". Vásáry charms you into wondering why it is so rarely heard.

An intense and highly sought-after cellist on the Hungarian classical, contemporary, and improvisation scenes, for his first solo disc Tamás Zétényi has selected some of the most important solo string instrument pieces of the twentieth century: this album features solo sonatas by Kodály and Ligeti. In three works by two Hungarian composers, we can trace how the solo string genre, founded by Bach, was suddenly revived in the twentieth century. Kodály’s grandiose cello sonata intones with the intimacy of a soliloquy, deploying folk-music inspiration and the new harmonic world of Impressionism alongside the Bachian prototypes.

There are preciously no other recording of Cimarosa's 1781 premiered work Il Pittor Parigiano, so this 1986 Hungarotun recording is about the only performance put down in discography. A recording of the complete score, it is done exceedingly handsomely, with Tamas Pal and the Salieri Chamber Orchestra once again proving that one does not need to be playing period instruments to produce a winning performance. The work is among the finest of operas written by Cimarosa, written for two sopranos, two tenors and one bass.

SOMM Recordings celebrates the mastery of a 20th-century original with superb new recordings of Kurt Weill’s Violin Concerto and Second Symphony by Tamás Kocsis and the Ulster Orchestra conducted by Jac van Steen.

Falstaff, ossia Le tre burle (Falstaff, or The Three Jokes) is a dramma giocoso in two acts by Antonio Salieri, set to a libretto by Carlo Prospero Defranceschi after William Shakespeare's The Merry Wives of Windsor. One of the earliest operatic versions of Shakespeare's play, Salieri's Falstaff is notable for a general compression and streamlining of the original plot, note the absence of the two young lovers, Fenton and Anne, and the addition of a scene in which Mistress Ford pretends to be German to charm Falstaff (actually two such scenes exist, one in a separate score by Salieri was probably omitted from the original Viennese productions). Defranceschi moves the plot and structure away from Elizabethan drama and closer to the standard conventions of late 18th century opera buffa.

Without any effort Andrzej Slawinski was signed to an artist contract to IC. In 1990 first CD "Brain Machine" was released. At the same time his own label was selling thousands of copies of the tapes. From time to time there were joint projects with other musicians. As a Hemi-Sync specialist in Europe Andrzej received many invitations to perform seminars. A small biofeedback lab was built in studio with EEG devices and mind machines.

Without any effort Andrzej Slawinski was signed to an artist contract to IC. In 1990 first CD "Brain Machine" was released. At the same time his own label was selling thousands of copies of the tapes. From time to time there were joint projects with other musicians. As a Hemi-Sync specialist in Europe Andrzej received many invitations to perform seminars. A small biofeedback lab was built in studio with EEG devices and mind machines.