Tango Electronic

This debut recording by the auspicious Japanese pianist Satoko Inoue is doubly so because of its program: eight works by Japanese composers. Inoue is well-known for a repertoire of 20th century classical music by composers as diverse as Feldman, Cage, Varese, Debussy, and Ives. To choose for her debut recording the works of Japanese composers as diverse as Toru Takemitsu, Jo Kondo, Mamorou Fujieda, Sesshu Kai, and the father of all Nippon composers from the last century, Yoritsune Matsudaira. Given the difference between pre- and post-World War II Japan, it is of no surprise that the stylistic differences between composers born before and after the war would be great. All of them hold within them, however, one distinct quality: to offer the emotional essence of the object considered. Inoue wisely structures her program to convey the essentialist nature of all the works she performs.

Mark is the new smooth king of "Love Pop", the german invention of the '80s. With his wonderful voice and tender ways of singing, Mark captures the hearts of millions of fans around the world.

Robert Wyatt - The End Of An Ear (1970) {2013 Japan Mini LP Blu-spec DSD Remaster SICP 30323}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 600 dpi (jpg) -> 15 Mb | 5% repair rar
© 1970, 2013 Columbia / Sony Music Japan | SICP 30323
Rock / Art Rock / Experimental / Jazz Rock

Cardboard sleeve reissue features remastering in 2013 and the high-fidelity Blu-spec CD2 format (compatible with standard CD players). Of all the projects Robert Wyatt created apart from his tenure with Soft Machine and Matching Mole, The End of an Ear has to be the strangest, and among the most beautiful and misunderstood recordings of his career. Recorded near the end of his membership in Soft Machine, End of an Ear finds Wyatt experimenting far more with jazz and avant-garde material than in the jazz-rock-structured environment of his band.

In 2013, the great five-disc Stranglers box set The Old Testament: The U.A. Studio Recordings (1977-1982) from 1992 was reissued, featuring most of the group's best albums plus a bunch of drool-worthy bonuses (demos, B-sides, remixes, and other whatnot). This bulky 11-disc set was released just one year after – the excuse being that the band's 40th anniversary must be honored – but the differences are vast, with this one serving a purpose for the hardcore while Old Testament is the clear winner for the more casual listener…

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.