Taylor One

Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel." The Oxford Book of Traditional Verse felt as strongly, writing that Taylor was "one of the most literate and sensitive of contemporary songwriters in terms of words and music and one who is capable of exploring more complex subjects than most of his contemporaries."

Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel." The Oxford Book of Traditional Verse felt as strongly, writing that Taylor was "one of the most literate and sensitive of contemporary songwriters in terms of words and music and one who is capable of exploring more complex subjects than most of his contemporaries."

Taylor Dayne, who was one of the late 1980s/early 1990s most reliable hitmakers, witnessed the end of her streak with her third album, 1993's Soul Dancing. This album was not as ambitious as her previous set, 1989's Can't Fight Fate, which featured dance, rock, and adult contemporary ballads, and it wasn't as dance oriented as her debut, 1988's Tell It to My Heart. Instead, it sort of straddled a muddy, middle ground, in an era when grunge and hip-hop reigned supreme. The album's first single, an excellent, dance-lite take on Barry White's "Can't Get Enough of Your Love," managed to crack the Top 20, but there were no more big hits to follow.

Perhaps the busiest man in progressive music, multi-instrumentalist/composer Robin Taylor is here with another release from his outfit Taylor's Universe, this one titled Evidence. Joined by longtime bandmate Karsten Vogel (sax, clarinet), the group also features Klaus Thrane (drums), Claus Bøhling ( guitars), and Thomas Thor Viderø Ulstrup (synthesizer), with Taylor contributing guitars, keyboards, bass, flute, and percussion, and guest vocalist Louise Nipper on one track. Though there are only four songs here on Evidence , you get over 40-minutes of material, so that's a lot of bang for your buck. The music is squarely in the instrumental prog-rock/jazz-fusion mold, the songs lengthy and expansive, allowing for plenty of atmosphere as well as dazzling solos…

Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel." The Oxford Book of Traditional Verse felt as strongly, writing that Taylor was "one of the most literate and sensitive of contemporary songwriters in terms of words and music and one who is capable of exploring more complex subjects than most of his contemporaries."